{ "positionList": [ { "id": 340, "name": "西雁翅楼", "detail": "
西雁翅楼
东雁翅楼
", "content": "东雁翅楼", "largeImage": "", "position": "76.33633385775283,-141.59179687500003", "hidden": true, "link_detail": "", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 336, "name": "协和门", "detail": "协和门位于太和门广场东侧正中,是前朝通往文华殿或内阁的必经之路。初名左顺门,明嘉靖年间重建后改称会极门,清顺治年间改今名。
明景泰皇帝曾因战事紧急在此门设午朝。明嘉靖皇帝即位之初,曾发生群臣与皇权抗争的大礼议,二百多名朝臣长跪于此,撼门大哭,声震阙廷。
协和门南北两侧各有11间庑房,明代在此设实录馆、玉牒馆和起居注馆。南庑房为明代内阁公署,即“东阁”,阁前为进士朝考之地。清初,北侧庑房设为稽察钦奉上谕事件处公署,南侧设为内阁诰敕房。
清嘉庆年间,门禁松弛,一位名叫蒋廷柱的低级官吏从午门混入宫中,竟然在协和门放起鞭炮来,所幸被当值护军拿获,才未酿成大灾。
", "content": "协和门位于太和门广场东侧正中,是前朝通往文华殿或内阁的必经之路。初名左顺门,明嘉靖年间重建后改称会极门,清顺治年间改今名。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d4981afba5.jpg", "position": "75.6504309974655,-126.43066406250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236540", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=40&scene_id=2836&scene_name=scene_2836_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 335, "name": "熙和门", "detail": " 熙和门位于外朝中路、太和门外西侧庑房正中。始建于明永乐十八年(1420年),初名右顺门。明嘉靖三十六年(1557年)四月因三大殿火灾被焚毁,次年重建。嘉靖四十一年(1562年)九月改名归极门。万历二十五年(1597年)六月再度烧毁,天启年间重建。顺治二年(1645年)五月改名为雍和门,乾隆元年(1736年)为避雍正皇帝讳而改为熙和门。清乾隆二十三年(1758年)第三次毁于火灾,同年十二月重建。
熙和门为屋宇式大门,西向,面阔5间,进深2间,黄琉璃瓦单檐歇山顶。七檩中柱式大木结构,彻上明造,檐下单昂三踩斗栱,龙锦枋心金线大点金旋子彩画。明次间脊步大门三槽,各安朱红宫门2扇,嵌鎏金铜钉。梢间前后檐为坎墙槅扇窗,侧面开门。现存建筑为清代重建,故与协和门形制相仿而略有差异,体现了清代中期官式建筑的特点。
熙和门坐落在高2.62m的基座上,前后各出长17.75m的礓磋慢道。门东侧的慢道边缘向外倾斜,和内金水河走势取得一致。
熙和门是由西华门进入前朝的必经之路,是外朝中路与西路武英殿、内阁等区域联系的枢纽。明代熙和门梢间曾为百官奏事之所。熙和门南北两侧各有11间庑房,黄琉璃瓦顶,连檐通脊,前出廊,后为风火檐。清代北侧庑房为翻书房,南侧为起居注馆。
The Meridian Gate, more commonly known as Five-Phoenix Tower (Wufeng lou) because of the five pavilions on top, is the southern entrance to the imperial palace. The centre passage-way was reserved solely for the emperor. Officials went in and out through the left gate, and members of the imperial family used the right gate. When the emperor went to the Hall of Supreme Harmony (Taihe dian) to hold grand ceremonies, Drums and bells in the main gate's tower were struck, to maintain imperial dignity. Every year the official lunar calender was issued from here in a special ceremony.
", "content": "The Meridian Gate, more commonly known as Five-Phoenix Tower (Wufeng lou) because of the five pavilions on top, is the southern entrance to the imperial palace. ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2019/12/31/s5e0aaffe2cc85.jpg", "position": "77.72093986107882,-142.11914062500003", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236454", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=47&scene_id=2942&scene_name=scene_2942_autumn", "link_exhibition": "", "link_media": "/en/info/1328?i=0", "link_game": "/en/category/299?i=gongmenguan#gamezone", "link_album":"/en/article/1090", "event": true, "lvl": 3 }, { "id": 333, "name": "体仁阁", "detail": "太和殿前广场左右,对立着建筑形式完全相同的“文”、“武”两座建筑。其中东侧面西的即为体仁阁,初建于明永乐年间,名为文楼,明嘉靖朝改称文昭阁,清初改为今名,意为躬行仁爱,典出于《易经》。现存建筑为清乾隆年间烧毁后重建的。
康熙年间,曾诏内外大臣举荐博学之士在体仁阁试诗比赋,清代各朝御容也曾收藏于此。清王朝效法明制,将文馆改为内阁,由儒臣辅佐政务。大学士改加殿、阁衔,称“中和殿大学士”、“保和殿大学士”、“文华殿大学士”、“武英殿大学士”、“文渊阁大学士”、“东阁大学士”。乾隆年间改“保和殿大学士”为“体仁阁大学士”,成为“三殿三阁”。
乾隆朝以后,体仁阁为内务府的缎库。
", "content": "太和殿前广场左右,对立着建筑形式完全相同的“文”、“武”两座建筑。其中东侧面西的即为体仁阁,初建于明永乐年间,名为文楼,明嘉靖朝改称文昭阁,清初改为今名,意为躬行仁爱,典出于《易经》。现存建筑为清乾隆年间烧毁后重建的。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1534[1024].jpg", "position": "77.37990618476178,-103.40332031250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236453", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=20&scene_id=1963&scene_name=scene_1963_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 332, "name": "Gate of Supreme Harmony (Taihe men)", "detail": "The Gate of Supreme Harmony (Taihe men) is the grand formal entrance to the Forbidden City's Outer Court (wai chao). Built during the Yongle reign (1403-1424) of the Ming dynasty (1368-1644), it was first named Gate of Venerating Heaven (Fengtian men). The Jiajing Emperor (r. 1522-1566) renamed it Gate of Imperial Supremacy (Huangji men). Its current name was assigned in 1645 after the Qing regime moved its capital to Beijing and began its rule over China. The gate you now see was rebuilt in 1889 after it was destroyed by fire the year before.
Three sets of stairs lead up to the 3.4 meter high white marble terrace. In front of the Gate of Supreme Harmony are symbols of legitimacy to rule: four bronze ding tripods, a miniature stone pavilion and a stone case that stand for the documents and seals of imperial authority. Completing the assemblage is the largest pair of cast-bronze lions in the palace which aimed to inspire awe and respect.
During the Ming dynasty, emperors held morning audience here and accepted memoranda from officials. The Hongxi (r.1425-1425), Xuande (r. 1426-1435), and Zhengtong (r. 1436-1449) Emperors of the Ming dynasty were enthroned here. In 1644 following the Manchu conquest, it was at this gate that the Shunzhi Emperor (r. 1644-1661) ascended the throne and issued the proclamation of Qing dynasty rule over the country.
太和殿前广场西侧,面东,与体仁阁相对的即为弘义阁,初建于明永乐年,名为武楼,明嘉靖朝改称武成阁,清初改为今名,意为弘扬大义。
弘义阁与体仁阁作为太和殿的陪衬建筑左右对称,建筑形式完全相同,乾隆时体仁阁被火烧毁,后来就是仿照弘义阁重建的。作为太和殿的陪衬,二阁的高度约相当于太和殿高度的7/10,既高于与其相邻的庑房,又不逾越建筑等级之制,也无两厢渺小之感,同时又改变了建筑空间的呆板。二阁与主体建筑配合协调,使整组建筑愈显气势恢宏。
弘义阁清代为内务府的银库,收存金、银、制钱、珠宝、玉器、金银器皿等。皇帝皇后筵宴所用金银器皿皆由银库预备,用毕仍交该库收存。
", "content": "太和殿前广场西侧,面东,与体仁阁相对的即为弘义阁,初建于明永乐年,名为武楼,明嘉靖朝改称武成阁,清初改为今名,意为弘扬大义。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1980[1024].jpg", "position": "79.92823592380245,-117.15820312500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236491", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=20&scene_id=2052&scene_name=scene_2052_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 330, "name": "浴德堂", "detail": "武英殿院内西北平台上有一所阿拉伯风格的神秘建筑“浴德堂”。室内四壁至顶皆贴白色琉璃砖,顶部开窗,室内与室外灶屋有一孔相通,水由院子西侧水井汲出后通过石槽引入锅中,烧水或蒸气便可入室。
浴德堂的建筑年代无从考据,用途更是众说纷纭。有人说是斋戒沐浴的地方,有人说这里曾用作停放和清洁尸体,还有人提出它与美丽的回部香妃有着千丝万缕的联系。
在此仅是结合武英殿功能的变迁做出一种推测。《礼记》中有“浴德澡身”之语,明代这里可能是皇帝斋戒的地方,到了清代变成词臣校书的值班房。武英殿设御书处后,该室很可能作为蒸纸处,供印刷书籍蒸熏纸张之用。
", "content": "武英殿院内西北平台上有一所阿拉伯风格的神秘建筑“浴德堂”。室内四壁至顶皆贴白色琉璃砖,顶部开窗,室内与室外灶屋有一孔相通,水由院子西侧水井汲出后通过石槽引入锅中,烧水或蒸气便可入室。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/7415.jpg", "position": "80.72172665069186,-133.52783203125003", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236482", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 329, "name": "咸安宫", "detail": "咸安宫原址位于寿康宫后、长庚门内,为明代建筑。清康熙时期的废太子允礽曾禁锢于此。
雍正皇帝即位后允礽迁出,这里用于办学,史称“咸安宫官学”,主要选拔八旗和内务府上三旗的优秀子弟、景山官学中的优秀学生子弟入学,教学内容为四书五经和满语骑射。学生们都有较高的政治和物质待遇,一时间人才辈出。
乾隆十六年(1751年),为庆贺皇太后六十寿诞,将此宫修葺一新后改称寿安宫,原咸安宫官学移至武英殿西侧的尚衣监处,并新建校舍。随着八旗子弟的腐化,官学逐渐衰落。光绪年间,在西学和新形势的影响下,官学迁出宫外,咸安宫也在一场大火中化为灰烬,徒留一座“咸安门”供人追思。
1914年,北洋政府在咸安宫废址上建起了一座西式洋楼做文物库房,取名“宝蕴楼”。
", "content": "咸安宫原址位于寿康宫后、长庚门内,为明代建筑。清康熙时期的废太子允礽曾禁锢于此。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8279[1024].jpg", "position": "80.68978850608624,-141.59179687500003", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236576", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 328, "name": "西华门", "detail": " 西华门是紫禁城西门,始建于明永乐十八年(1420年)。
西华门西向,与东华门遥相对应,门外设有下马碑石。西华门与东华门形制相同,平面矩形,红色城台,汉白玉须弥座,城台当中辟3座券门,券洞外方内圆。城台上建有城楼,黄琉璃瓦重檐庑殿顶,基座围以汉白玉栏杆。城楼面阔5间,进深3间,四周出廊,梁枋绘墨线大点金旋子彩画。门楼用于安放阅兵所用棉甲及锭钉盔甲。西面檐下“西华门”匾额原为满、蒙、汉三种文字,后减为满、汉两种,辛亥革命后只余铜质汉字。
西华门的位置不在紫禁城西侧城垣正中而偏向午门一侧,与宫城总体规划有很大关系。紫禁城分外朝和内廷两部分,武英殿、太和门、文华殿构成贯穿外朝的横轴,东、西华门分处于轴线两端。如此布局既便于外朝使用,也可减少人员出入对内廷生活的干扰。将这一横轴继续向东、西两方延伸至皇城,恰为东安门与西安门,显然东、西华门乃连接皇城与宫城的重要枢纽。
出西华门,正对皇家园林西苑。清代帝后游幸西苑、西郊诸园,多由此门而出。乾隆十六年(1751年),皇太后六十寿诞,以及乾隆五十五年(1790年),乾隆皇帝八旬万寿节,西华门以外,经西直门以至海淀一带,沿途张灯结彩,预设彩棚乐戏,隆重庆贺。
清朝末期,庚子年(1900年)八国联军攻打京城,慈禧太后、光绪皇帝一行即由西华门离宫,仓皇西逃。
The Hall of Martial Valor (Wuying dian) is the main building in an architectural compound that lies to the far west of the Hall of Supreme Harmony (Taihe dian).
In the Ming dynasty (1368-1644), the Hall of Martial Valor was the place where emperors went on a fast and receive ministers. It is also one of the studios for the Ming dynasty court painters. In the late Ming dynasty, the peasant rebellion troop broke into the imperial palace and burnt down many of the buildings. Remaining intact, the Hall of Martial Valor was the place where Li Zicheng (1606-1645), the peasant unrest leader, ascended the throne as the emperor before he hurriedly fled from Beijing. After the Manchu Qing regime moved its capital to Beijing to rule across China, the hall became the office for Dorgon (1612-1650), one of the four regents, for handling state business. In the early Qing dynasty (1644-1911), emperors also attended small-sized ceremonies here. From Kangxi reign (1662-1722) on, the Hall of Martial Valor became an imperial cultural center - a workshop for amending, compiling, and printing books with carved wooden blocks. Books printed here were marked with the authoritative "Hall edition".
南薰殿始建于明代,是位于武英殿西南的一所独立院落。殿内木构及彩画均为明朝遗物,十分珍贵。殿面阔5间,殿内明、次间各设朱红漆木阁,分5层,奉历代帝王像。殿东室奉历代皇后像;西室贮明代帝后册宝。
殿内所有画像及帝后册宝都是清乾隆年间从明代内阁大库移藏过来的,数量颇丰。画像中既有从伏羲到明朝的历代有名的帝后,又有先圣先贤,如孔子、诸葛亮、耶律楚材、李白等。据殿内乾隆皇帝《御制南薰殿奉藏图像记》统计:共有帝王贤臣画像121份,所绘大小人物共583名。其中帝后像黄表朱里,臣工像朱表青里。
这里所有画像和所藏的字画到了夏天都会进行晾晒。
", "content": "南薰殿始建于明代,是位于武英殿西南的一所独立院落。殿内木构及彩画均为明朝遗物,十分珍贵。殿面阔5间,殿内明、次间各设朱红漆木阁,分5层,奉历代帝王像。殿东室奉历代皇后像;西室贮明代帝后册宝。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/3938[1024].jpg", "position": "80.30902968174865,-151.72119140625003", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236503", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 325, "name": "断虹桥", "detail": " 断虹桥位于太和门外、武英殿之东,单拱石券,横跨于内金水河之上。桥南北向,长18.7m,最宽处达9.20 m。桥面铺砌汉白玉巨石,两侧石栏板雕穿花龙纹图案,望柱上之石狮神态各异,宛然如生。桥之建造年代为明初或元代尚未定论。但此桥用料之考究、装饰之华丽、雕刻之精美乃紫禁城内诸桥之冠。
此桥“断虹”之名为俗称,明清未见记载。
The Belvedere of Literary Profundity (Wenyuan ge) is a bibliotheca behind the Hall of Literary Brilliance (Wenhua dian). It was constructed in 1776, the forty-first year of the Qianlong reign (1736-1795), modeling on the renowned Belvedere of Heaven's First Creation (Tianyi ge) in Zhejiang province. The two-storey pavilion is covered by black glazed tiles on the roof trimmed with green glazed tiles. These colors render the pavilion solemn and elegant. Meanwhile, it was hoped that the color black, which betokened water in the Five Primary Elements, would guard the building against fire.
Books preserved in the Belvedere included Complete Library of the Four Treasuries, and Imperially Approved Collection of Ancient and Modern Books. Since the Qianlong reign (1736-1795), aside from the emperor, officials and grand secretaries were also allowed in to consult the books preserved here.
The Hall of Literary Brilliance (Wenhua dian) is the main building in an architectural compound that lies to the far east of the Hall of Supreme Harmony (Taihe dian).
It was the residence of the heir apparent during the early period of the Ming dynasty (1368-1644), with green glazed tiles covering the roof. Since 1536, it was reserved for the emperor as his secondary hall. Accordingly, the tiles were changed into yellow, the color of the emperor. During the Ming and Qing dynasties, the imperial lecture was regularly held in this hall and papers of the "Palace Examination” were reviewed here, too. Those prominent mandarins would feel so honored to be given the title of the "Grant Secretary of the Hall of Literary Brilliance”.
内阁是明清两代辅佐皇帝的大学士的办公机构,负责处理每天大量的奏章,拟写批示。清代大学士在宫中值班办事的场所即为内阁大堂,又称大学士堂,位于紫禁城西南文华殿对面的红墙院内。
大堂南向3间,东西两厢各3间,皆硬山顶,覆黄琉璃瓦。厅堂上悬挂着清乾隆皇帝御书“调和元气”的牌匾。堂外是顺治皇帝谕诏横匾“机密重地,一应官员不许擅入,违者治罪不饶。”清代内阁文本分为满文、汉文和蒙古文,所以内阁的公文及起草有三套机构,都集中在内阁大院办公。内阁大堂院内设有汉票签处、满票签处、蒙古堂、满本房、典籍厅、红本库、实录库等机构。堂后是内阁大学士住宿的房屋。
科举殿试结束后,负责评判考卷的大臣们要连续几夜宿在内阁,这样做一是为了提高评卷的效率,二是为了杜绝请托作弊。清代成立军机处后,内阁权力被削弱。
", "content": "内阁是明清两代辅佐皇帝的大学士的办公机构,负责处理每天大量的奏章,拟写批示。清代大学士在宫中值班办事的场所即为内阁大堂,又称大学士堂,位于紫禁城西南文华殿对面的红墙院内。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8036.jpg", "position": "74.18805166460048,-129.37500000000003", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236523", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 321, "name": "内阁大库", "detail": "内阁大库位于紫禁城东南隅,东临銮驾库,西连内阁大堂,是清代内阁收贮文书、档案的库房。库为砖石结构,墙面辟窗,窗中有铁柱,外有铁板窗。
大库的建筑并无特别之处,但因为这里贮藏着清宫重要的红本、典籍、关防、表文、实录、史书、画像等档案,所以被喻为清朝最重要的档案库之一。这座建筑被完好地保留下来,其中许多珍贵的档案得以保存并沿用至今。在中国档案史中,内阁大库拥有着重要作用和历史意义。
", "content": "内阁大库位于紫禁城东南隅,东临銮驾库,西连内阁大堂,是清代内阁收贮文书、档案的库房。库为砖石结构,墙面辟窗,窗中有铁柱,外有铁板窗。", "largeImage": "", "position": "", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236579", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 320, "name": "南三所", "detail": " 南三所位于外朝东路文华殿东北,为一组殿宇的总称。明朝这一带有端敬殿、端本宫,为东宫太子所居。其中原有殿名“撷芳殿”,清康熙年间太子允礽之宫人于此居住。乾隆十一年(1746年)在撷芳殿原址兴建三所院落,作为皇子居所。因其位在宁寿宫以南,故又称“南三所”,也称“阿哥所”或“所儿”,嘉庆朝以后多以“撷芳殿”代称整组建筑。
南三所共用宫门1座,面阔3间,进深1间,绿琉璃瓦歇山顶,当中开门,内外设礓磋慢道。门内有一东西窄长的小广场,广场北侧自东向西依次排列3所,每所皆为前后3进,形制完全相同:南端有琉璃门1座,前殿面阔3间,中殿、后殿皆面阔5间,绿琉璃瓦硬山顶。殿前都有东西配殿各3间,中殿前有井亭1座。此外还有耳房、顺山房、值房、膳房、净房等殿宇。整个南三所共有房200余间。乾隆十九年(1754年),三所又各添盖后罩房1座,黑琉璃瓦顶。
南三所位在紫禁城东部,按阴阳五行之说,东方属木,青色,主生长,故屋顶多覆绿琉璃瓦,并安排皇子在此居住。同时,依封建礼制,南三所建筑的屋顶皆为单檐硬山顶或歇山顶,形制较皇帝所用的殿宇等级稍逊。
南三所建成后,嘉庆皇帝颙琰曾于乾隆四十年至六十年(1775-1795年)在中所居住,乾隆六十年(1795年)受封太子后移居毓庆宫。嘉庆年间,皇子幼年时先住在毓庆宫,成婚后移居南三所。此后道光皇帝、咸丰皇帝都曾在此居住。宣统年间,这里曾作为摄政王载沣的起居所。
銮驾库在东华门以南,东南临紫禁城墙,西为蜿蜒而过的内金水河,是一个独立的院落。
清代这里是銮仪卫贮存皇太后仪驾、皇帝法驾卤簿之所。院内东侧有大库5间,南侧有大库10间,均为黄琉璃瓦硬山式顶,内部分为上下两层。库内原有大堂3间、小堂3间及办事房、小库班房、档房等,今已无存。南库前曾出土“古今通集库”碑,为明代遗物,据此推断这里应该是通集库遗址。
", "content": "銮驾库在东华门以南,东南临紫禁城墙,西为蜿蜒而过的内金水河,是一个独立的院落。", "largeImage": "", "position": "70.28911664330674,-120.54199218750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236525", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 318, "name": "Archery Pavilion (Jian ting)", "detail": " 箭亭位于紫禁城东部景运门外、奉先殿南一片开阔的平地上,始建于清雍正八年(1730年),是清代皇帝及其子孙练习骑马射箭的地方。
箭亭名为“亭”,实质上是一座独立的大殿。其面阔5间,进深3间,黄琉璃瓦歇山顶,四面出廊。殿内20根朱漆大柱直接承托梁架,减少了斗拱层叠的层次,是宫殿建筑大式做法中比较少见的。箭亭东西两侧山墙磨砖对缝,不开窗;南北两面各辟菱花槅扇门,南5北3共8扇。殿当中设宝座,宝座之东有卧碣1座,刊刻乾隆十七年(1752年)上谕,其内容为要求满清贵族“衣服语言,悉遵旧制”,“操演技勇,时时练习骑射”,并告诫子孙要“永垂法守”。箭亭前宽敞开阔,为殿试武进士阅技勇之处,届时需考试马步、射弓、刀石。嘉庆十三年(1808年),清仁宗颙琰又立石碑于殿内西侧,再次告诫子孙“不效汉俗”。
修建箭亭之目的在于防止满族受汉族同化而致祖制湮灭。乾隆和嘉庆皇帝都曾在此射箭并操演武艺。每当皇帝及其子孙在这里跑马射箭时,亭前则摆起箭靶,列队两边的武士摇旗擂鼓助威,情景壮观。咸丰元年(1851年),皇帝曾在此阅十五善射。
清初规定,特许在大内骑马的王公大臣凡入东华门者,一律在箭亭前下马,因此,箭亭周围的空旷之地也是当时拴歇马匹之处。
现箭亭建筑完好。
东华门是紫禁城东门,始建于明永乐十八年(1420年)。
东华门东向,与西华门遥相对应,门外设有下马碑石,门内金水河南北流向,上架石桥1座,桥北为三座门。东华门以西是文华殿,迤南为銮仪卫大库。东华门与西华门形制相同,平面矩形,红色城台,白玉须弥座,当中辟3座券门,券洞外方内圆。城台上建有城楼,黄琉璃瓦重檐庑殿顶,基座围以汉白玉栏杆。城楼面阔5间,进深3间,四周出廊,梁枋绘有墨线大点金旋子彩画。东面檐下“东华门”匾额原为满、蒙、汉三种文字,后减为满、汉两种,辛亥革命后只余铜质汉字。
东华门门楼自清乾隆二十三年(1758年)始用于安放阅兵时所用的棉甲,每隔一年抖晾一次。乾隆二十八年(1763年)三月,下旨在东华门外护城河边空闲围房中选用70间,设立仓廒,用于存贮太监应领米石,赐名“恩丰仓”。
清初,东华门只准内阁官员出入,乾隆朝中期,特许年事已高的一、二品大员出入。清代大行皇帝、皇后、皇太后的梓宫皆由东华门出,民间俗称“鬼门”。东华门门钉与其它三门九路九颗不同,为八路九颗,内含阴数,相传也与此有关。嘉庆年间林清之变,农民军由太监刘得才等人经东华门引入紫禁城,但因于门前与卖煤人争道,情急之中露出所藏兵刃,从而为守门官兵察觉,骤然关闭东华门,故而仅十数人闯入,起义旋即失败。
传心殿位于紫禁城东南隅的文华殿东侧,清康熙朝修建,是一组由长方形院落组成的祭祀性建筑。院中的“大庖井”极富盛名,井水清甜甘洌,可与京西玉泉山水相媲美,至今仍未干涸。井上覆有方亭,为宫中最大的井亭。
院落从南向北分别由治牲所、景行门、传心殿三座主要建筑组成,殿后有祝版房、神厨、值房等建筑。传心殿正中设皇师伏羲、神农、轩辕,帝师尧、舜,王师禹、汤、文、武的牌位。两侧有周公和孔子牌位。
这里是清代皇帝举办经筵前行“祭告礼”之处。“经筵”是专为皇帝研读经史开设的讲席,一般于每年春季的二月至五月和秋季的八月至冬至间举行,逢单日设讲,酷暑、严寒时节停办。
光绪元年(1875年),这里还曾作为校对满、汉书籍的地方,后来还成为大臣休憩和外来使臣等觐见的地方。
", "content": "传心殿位于紫禁城东南隅的文华殿东侧,清康熙朝修建,是一组由长方形院落组成的祭祀性建筑。院中的“大庖井”极富盛名,井水清甜甘洌,可与京西玉泉山水相媲美,至今仍未干涸。井上覆有方亭,为宫中最大的井亭。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/4764[1024].jpg", "position": "74.42577748401034,-107.22656250000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236526", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 315, "name": "雨花阁", "detail": " 雨花阁位于内廷外西路春华门内,是宫中数十座佛堂中最大的一处。清乾隆十四年(1749年),乾隆皇帝采纳蒙古三世章嘉国师胡土克图的建议,仿照西藏阿里古格的托林寺坛城殿,在原有明代建筑的基础上改建成雨花阁,于其中供奉西天梵像,雨花阁是一座藏传佛教的密宗佛堂。
雨花阁为楼阁式建筑,外观三层,一、二层之间靠北部设有暗层,为“明三暗四”的格局。底层面阔、进深各3间,四周出廊,乾隆三十二年(1767年)添建前檐抱厦3间;南面明间开门,次间开双交四椀菱花槅扇槛窗4扇;屋顶南北为卷棚顶,东西为歇山顶,屋面覆绿琉璃瓦,屋脊和屋面剪边为黄琉璃;檐下采用白玛曲孜、兽面梁头等装饰,屋内天花装饰为六字真言及法器图案。二层面阔、进深各3间,东、西、南三面出平座;南面明间开门,次间安槛窗,黄琉璃瓦蓝剪边卷棚歇山顶。顶层面阔、进深各1间,正面开4扇槅扇门,两侧为槅扇窗;四面出平座,环以琉璃挂檐板;四角攒尖顶,屋面满覆鎏金铜瓦,四条脊上各立一条铜鎏金行龙,宝顶处安鎏金铜塔。龙和塔共用铜近一千斤,乾隆四十四年(1799年)曾重造。建筑形制独特,具有浓郁的藏式佛教建筑风格。
雨花阁严格按照藏密的事、行、瑜伽、无上瑜伽四部设计。底层称智行层,悬乾隆御题“智珠心印”匾额,供奉无量寿佛等事部主尊,佛龛之后有乾隆十九年(1754年)制掐丝珐琅立体坛城3座。暗层称德行层,楼梯间前设供案,供行部佛像9尊,以宏光显耀菩提佛为中心,佛母和金刚各4尊分列左右。三层称瑜珈层,供瑜珈部佛像5尊。顶层称无上层,供奉密集金刚、大威德金刚、上乐金刚各1尊。
每年四月初八日,宫中派喇嘛5名在雨花阁无上层诵大布畏坛城经。二月及八月初八日,各派喇嘛10名在瑜珈层诵毗卢佛坛城经。三月及六月初八、九月及十二月十五日,各派喇嘛15名在智行层诵释伽佛坛城经。每月初六日,在德行层安放乌卜藏经。
雨花阁是目前我国现存最完整的藏密四部神殿,对于研究藏传佛教具有重要的意义。
英华殿位于紫禁城内廷外西路西北,始建于明代,初曰隆禧殿,隆庆元年(1567年)更为今名。清乾隆三十六年(1771年)重修。英华殿是明清两代皇太后及太妃、太嫔礼佛之地。
整座院落南北长80m,东西宽约60m ,占地5000㎡左右。分为南北两进院,南院中部辟山门,门后为宽敞的庭院。第二进院门为英华门,正北即英华殿,门、殿之间有一碑亭,。殿后宫墙西北隅辟门,北出可至神武门内西横街。英华殿院落东西两侧原各有一座跨院,东跨院及内诸旗房于清乾隆八年(1743年)拆除,改为西筒子路北段,西跨院至今尚存。
英华殿坐北面南,面阔5间,黄琉璃瓦单檐庑殿顶。明间开门,三交六椀菱花槅扇门4扇,次间、梢间为槛窗,三交六椀菱花槅扇窗各4扇。殿内设佛龛7座,供西番佛像。殿前出月台,上陈香炉1座。台前有高台甬路与英华门相接。甬路两侧菩提树各1株,为明万历皇帝生母圣慈李太后亲手所植。殿前碑亭内石碑上刻乾隆御制英华殿菩提树歌、菩提树诗。殿的左右有耳殿各3间,黄琉璃瓦硬山顶,均明间开门,双交四椀菱花槅扇门4扇,次间为槛窗,双交四椀菱花槅扇窗各4扇。
明代每年万寿节、元旦于英华殿作佛事,事毕之日有人扮作韦驮,抱杵面北而立,其余僧众奏诸般乐器,赞唱经文,并于当晚设五方佛会。每逢夏历四月初八“浴佛日”,供糕点“大不落夹”200对,“小不落夹”300对,供毕分别赐予百官。明慈圣皇太后薨,万历皇帝上尊号曰“九莲菩萨”,奉御容于殿中。
清代皇太后、皇后俱以此处为礼佛之所。祀神日于案下设小桌,供奉“完立妈妈”。平时每月供乳饼及水果,设太监专司香烛、扫洒、坐更等事。咸丰二年(1852年),咸丰帝亦曾亲诣此殿拈香礼拜。
延寿堂位于慈宁宫花园内西侧、吉云楼以南,紧邻花园西墙,东与含清斋对称。建于清乾隆年间。
延寿堂坐北面南,房前为一狭长小院,院东侧开随墙小门。主体建筑以天井分作前后两部分。小门、矮墙、勾连搭的卷棚顶,山墙上开的花窗,构成流畅活泼的建筑外观。室内以落地罩、炕罩、圆光罩等木装修隔成多个小空间,顶棚糊银花纸,墙壁有木护墙板,表面亦糊银花纸,制作精细而不奢华。
整座建筑灰瓦、青砖,不施斗栱、彩画,装饰朴素,色彩淡雅,在慈宁宫花园浓荫茂木的掩映中,颇具江南建筑的情趣。堂前楹联“梳翎闲看松间鹤,送响时闻院外钟”,生动地将建筑的意境与慈宁宫花园超凡脱俗的情调融汇起来。
延寿堂与含清斋同时修建,是为乾隆皇帝侍奉太后和丧母守制之用。清朝后期,咸丰皇帝陪同皇太后到咸若馆等处礼佛,曾在此处侍奉膳食。
", "content": "延寿堂位于慈宁宫花园内西侧、吉云楼以南,紧邻花园西墙,东与含清斋对称。建于清乾隆年间。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8365.jpg", "position": "82.00305785121314,-107.75390625", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236545", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=69&scene_id=3512&scene_name=scene_3512_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 312, "name": "咸若馆", "detail": "咸若馆在慈宁宫花园北部中央,是园中的主体建筑,为清代太后、太妃礼佛场所。该建筑建于明代,清乾隆年间改建成今天的形制。
馆坐北朝南,面阔5间,前出抱厦3间,翘起的六个翼角各坠一个铜铃,看上去十分轻巧。馆内装饰考究别致:梁檩上的龙凤和玺彩画灿然生辉,顶部的海墁花卉天花清丽淡雅。室内明间柱子的装饰颇具藏式佛殿之意味;贯通东、北、西三面墙壁的通连式金漆毗庐帽梯级大佛龛,给人以庄严神秘、佛法无边之感。
馆内悬挂着清乾隆皇帝御书“寿国香台”匾,须弥座台上陈设着佛龛、供案、佛像、法器、供物等。馆前的甬路两侧种有松柏,环境清幽,是诵经拜佛的理想之所。嘉庆皇帝曾经留下“咸若馆前三月半,琼花一树玉玲珑”的诗句。
", "content": "咸若馆在慈宁宫花园北部中央,是园中的主体建筑,为清代太后、太妃礼佛场所。该建筑建于明代,清乾隆年间改建成今天的形制。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efefe67be3ac.jpg", "position": "82.0578933533683,-103.46923828125", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236534", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=69&scene_id=3500&scene_name=scene_3500_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 311, "name": "Palace of Longevity and Health (Shoukang gong )", "detail": "Construction of the Palace of Longevity and Health took place from December 1735 (the thirteenth year of the Yongzheng reign) to October 1736 (the first year of the Qianlong reign). It was Qianlong Emperor who ordered this palace built for his mother, Empress Dowager Chongqing. Since then it became the palace exclusively reserved for empress dowagers. After multiple renovations during the reigns of Jiaqing (r. 1796-1820), Daoguang (r. 1821-1850), Xianfeng (r. 1851-1861) and Guangxu (r. 1875-1908), it had a layout basically unchanged. The imperial dowager consorts lived in the Western Palace of Longevity (Shou xi gong), Middle Palace of Longevity (Shou zhong gong), and the First Abode (tousuo) among other living quarters which were nearby the Palace of Longevity and Health. The East Side Hall was a throne room reserved exclusively for the Emperor when he visited the Empress Dowager’s residence.
", "content": "Construction of the Palace of Longevity and Health took place from December 1735 (the thirteenth year of the Yongzheng reign) to October 1736 (the first year of the Qianlong reign). ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e982c7fbddd2.jpg", "position": "82.56338969227059,-94.306640625", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236448", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=64&scene_id=3412&scene_name=scene_3412_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 310, "name": "寿安宫", "detail": "寿安宫一组建筑位于寿康宫以北,英华殿以南。明代初建时名咸熙宫,嘉靖四年(1525年)改称咸安宫。清雍正年间曾兴办咸安宫官学。乾隆十六年(1751年),咸安宫官学迁出。同年,为给皇太后举办六十万寿庆典,将咸安宫旧址修葺一新,改称寿安宫。乾隆二十五年(1760年),为皇太后七十圣寿庆典,在院中添建一座三层大戏台。嘉庆四年(1799年)将戏台拆除,扮戏楼改建为春禧殿后卷殿。目前这里为三进院落,由寿安门、春禧殿、寿安宫、福宜斋、萱寿堂等主要建筑组成。
寿安宫是皇太后及太妃、嫔等人的居所。乾隆年间,孝圣宪皇太后六十及七十岁圣寿节,乾隆帝亲率皇后、皇子、皇孙等人至此跪问起居,进茶侍膳,于堂前跳“喜起舞”贺寿,并于宫中设宴,王公、大臣及王妃、公主分坐于东西两侧延楼中,陪同赏戏。
1925年故宫博物院成立后,寿安宫被辟为故宫图书馆,沿用至今。
", "content": "寿安宫一组建筑位于寿康宫以北,英华殿以南。明代初建时名咸熙宫,嘉靖四年(1525年)改称咸安宫。清雍正年间曾兴办咸安宫官学。乾隆十六年(1751年),咸安宫官学迁出。同年,为给皇太后举办六十万寿庆典,将咸安宫旧址修葺一新,改称寿安宫。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/4662[1024].jpg", "position": "82.98071897599655,-78.20068359375001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236505", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 309, "name": "临溪亭", "detail": "临溪亭是慈宁宫花园内主要建筑之一,位于花园南北中轴线偏南,始建于明万历六年(1578年),原名临溪馆,万历十一年(1583年)五月更名临溪亭。
临溪亭建在长方形水池当中的桥上,东西两面临水。平面呈方形,黄琉璃瓦绿剪边攒尖顶,四面当中开门,槛墙上贴饰着精美的黄绿色琉璃花砖。室内顶部为海墁天花,当心是蟠龙藻井。
在适宜的季节里,皇太后、太妃嫔们游慈宁宫花园至临溪亭,向南可见精美花坛,鲜花竞相盛开,向东可望碧波水池,游鱼自得,白莲放香,加之四周遍植柏树和各种灌木,为临溪亭营造出清雅的意境,是游园休憩的绝佳处。
", "content": "临溪亭是慈宁宫花园内主要建筑之一,位于花园南北中轴线偏南,始建于明万历六年(1578年),原名临溪馆,万历十一年(1583年)五月更名临溪亭。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/15/s5f0ebf845b521.jpg", "position": "81.8736412548283,-109.09423828125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236537", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=69&scene_id=3517&scene_name=scene_3517_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 308, "name": "吉云楼", "detail": "吉云楼位于慈宁宫花园内咸若馆的西侧。明代原为咸若馆西配殿,清乾隆年间改建为二层楼阁,后定名“吉云楼”。
楼坐西面东,面阔7间,与宝相楼相对。楼内上下室正中均供有大尊佛像。佛像两侧各有一个长方形底座及多层台阶的金字塔式供台,供台顶部是一道长墙式的千佛龛。四壁、屋梁各处嵌有千佛龛。龛内摆放着五彩描金擦擦佛母像,共计一万余尊。
“擦擦”是藏语的音译,专指用模具印制或脱模制作的小型泥造像和小塔,也有少数是藏文或梵文经咒。制作擦擦的材料以泥土为主,制好后供奉于佛堂或佛塔中,或作为装藏放入塑像内,是敬佛积修功德的方式。
吉云楼为宫内一处名副其实的万佛楼。这种专供擦擦佛的宽敞殿堂可能是内地藏传佛殿中仅存者,西藏亦未见有实例,故而是极其珍贵的佛教遗迹。
", "content": "吉云楼位于慈宁宫花园内咸若馆的西侧。明代原为咸若馆西配殿,清乾隆年间改建为二层楼阁,后定名“吉云楼”。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e99839b13257.jpg", "position": "82.1033040984342,-105.22705078125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236483", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=69&scene_id=3507&scene_name=scene_3507_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 307, "name": "含清斋", "detail": "含清斋位于慈宁宫花园内东侧、宝相楼以南,与西侧延寿堂对称而立。建于清乾隆年间。
含清斋坐北朝南,主体建筑以天井分作前后两部分,有穿廊相通。前后房的西山墙以院墙连为一体,使含清斋外观看去仿佛一座独立的小院。
斋内以装修隔为小室,分隔形式灵活。整座建筑灰瓦、青砖,不施斗栱、彩画,装饰朴素,色彩淡雅,在慈宁宫花园浓荫茂木的掩映中,颇具江南建筑的情趣。斋前楹联“轩楹无藻饰,几席有余清”,正是其朴素建筑风格的写照,突出了这里超脱尘俗的情调。
含清斋与延寿堂同时修建,为乾隆皇帝侍奉太后和丧母守制之用。乾隆四十二年(1777年)正月,乾隆之母孝圣太后崩逝,奉安于慈宁宫正殿,乾隆皇帝于含清斋守孝。后因王公大臣恳请,才返回养心殿居住。
现含清斋建筑完好。
", "content": "含清斋位于慈宁宫花园内东侧、宝相楼以南,与西侧延寿堂对称而立。建于清乾隆年间。", "largeImage": "", "position": "81.82691862716233,-106.01806640625001", "hidden": true, "link_detail": "", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 306, "name": "梵宗楼", "detail": "梵宗楼位于中正殿佛堂区,雨花阁西北,为一座倚墙而建的3开间卷棚歇山顶二层小楼。建于清乾隆三十三年(1768年),是中正殿一区佛堂中修建最晚的建筑。
梵宗楼虽然建筑体量很小,且偏于一隅,但其供奉的主神地位崇高,因此这座小佛楼在宫中有着特殊的地位。一楼供文殊菩萨青铜坐像,高1.1米;二楼供文殊化身大威德金刚青铜像,高1.72米。此二像为清宫中最大的文殊造像与大威德造像。大威德金刚,以威猛降伏诸恶魔,是重要的护法神。乾隆皇帝视其如战神来奉祀,将自己使用的盔甲、衣冠、兵器供奉在像前,以求获得法力。
1923年夏,建福宫花园的一场大火殃及中正殿院落,中正殿、香云楼、梵宗楼等佛堂建筑皆毁于大火,仅雨花阁幸免于难,完整地保留了下来。
", "content": "梵宗楼位于中正殿佛堂区,雨花阁西北,为一座倚墙而建的3开间卷棚歇山顶二层小楼。建于清乾隆三十三年(1768年),是中正殿一区佛堂中修建最晚的建筑。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8221[1024].jpg", "position": "82.62287383375326,-77.60742187500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236538", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 305, "name": "大佛堂", "detail": "大佛堂,即慈宁宫后殿,是清代太后、太妃礼佛的场所,可能因其是清宫众多佛堂中体量最大者,俗称为“大佛堂”。
堂面阔7间,进深3间,黄琉璃瓦歇山式顶。殿前月台上陈设着香炉、香筒。殿内装修考究,佛龛、佛像、法物等陈设众多。其中传为元代的干漆夹纻三世佛与十八罗汉像艺术价值极高,是传世塑像中的精品。现在内部佛像、龛案等陈设出借在洛阳白马寺大殿内安供。殿内原来悬挂着清康熙皇帝的“万寿无疆”御书匾和乾隆皇帝“百八牟尼现庄严宝相,三千薝蔔闻清净妙音”、“人天功德三摩地,龙象威神两足尊”两副御书联。
清代,大佛堂内有首领太监、副首领太监、太监共39名负责日常洒扫、上香、念经等事宜,其中多半充当了喇嘛。堂内香烟缭绕,供品不断。深宫内院,太后、太妃的生活漫长而孤寂,焚香礼佛是她们生活中不可或缺的部分,以此获得精神慰藉。在宫中,像大佛堂这样的拜佛场所有很多。
", "content": "大佛堂,即慈宁宫后殿,是清代太后、太妃礼佛的场所,可能因其是清宫众多佛堂中体量最大者,俗称为“大佛堂”。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8035.jpg", "position": "82.19036787490721,-90.39550781250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236533", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=68&scene_id=3477&scene_name=scene_3477_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 304, "name": "慈荫楼", "detail": "慈荫楼是清宫内的藏经楼,清乾隆三十年(1765年)建,位于慈宁花园北端、咸若馆后。
慈荫楼是乾隆年间对慈宁宫花园进行大规模增建、改建的十一座建筑之一。楼坐北朝南,上下两层,各面阔5间,楼下层东梢间为过道,前后设门,可通往慈宁宫,是慈宁宫花园通往北边的出入口。
上层明间开门,北壁设通壁的供经龛,乾隆时期曾将著名的北京版藏文大藏经《甘珠尔经》108部供藏于此。正中是佛龛,供奉释迦牟尼佛等金铜佛多尊。龛前有长供案,陈设佛塔、供器。
", "content": "慈荫楼是清宫内的藏经楼,清乾隆三十年(1765年)建,位于慈宁花园北端、咸若馆后。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d43cd533c5.jpg", "position": "82.13042660886293,-102.04101562500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236527", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=68&scene_id=3474&scene_name=scene_3474_winter", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 303, "name": "慈宁门", "detail": "慈宁门是慈宁宫的正门,始建于明代,清乾隆年间改建慈宁宫时一并拆建。
慈宁门为殿宇式大门,坐落在汉白玉须弥座上。门前出三阶,当中设龙凤御路石,门内有高台甬道与慈宁宫月台相连。门两侧接八字琉璃影壁墙,用菊、兰、牡丹等吉祥图案装饰,琉璃工艺精美。阶前两鎏金铜麒麟雄踞御路两旁,气势好比乾清门般威严。门额为满、蒙、汉三种文字,其中汉文为篆体,这在紫禁城内较为罕见。
慈宁宫门前有一东西向狭长的广场,东西两端分别是永康左门、永康右门,当年皇帝来看望母后时,也须在永康左门降舆,然后步入慈宁门。
清代逢皇太后圣寿节时,在慈宁门内外陈设仪仗,皇帝、皇后分率王公大臣、王妃命妇等在此行礼朝贺。
", "content": "慈宁门是慈宁宫的正门,始建于明代,清乾隆年间改建慈宁宫时一并拆建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d43cd533c5.jpg", "position": "81.91082826021778,-98.17382812500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236527", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=68&scene_id=3474&scene_name=scene_3474_winter", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"/ency_animal", "event": false, "lvl": 1 }, { "id": 302, "name": "The Garden of the Palace of Compassion and Tranquility (Cining gong)", "detail": "The garden lies southwest of the Palace of Compassion and Tranquility (Cining gong), along the western route beyond the inner court. Established during the Ming dynasty (1368-1644), it served as a sanctuary for grand empress dowagers, empress dowagers, and imperial concubine dowagers to enjoy leisure and worship the Buddha.
Stretching approximately 130 meters from north to south and 50 meters east to west, the garden encompasses an area of 6,800 square meters. It has only 11 structures, which occupy less than one-fifth of its land area. These buildings are concentrated in the north part of the garden, with the southern part being an open space adorned with flowers, trees, rockeries, and ponds, allowing its former dwellers to enjoy nature’s delights without the need to travel far.
Pines and cypresses dominate, interspersed with phoenix trees, ginkgoes, magnolias, and lilacs, clustered mainly in front of the Hall of Understanding and Bringing Peace and around the Streamside Pavilion, while flower terraces densely bloom with peonies and Chinese herbaceous peonies: they shift their charm with the flow of seasons and the waltz of day and night. Amid the strict decorum of the Forbidden City, this garden alone offered past empresses and consorts solace and peace.
慈宁宫位于内廷外西路隆宗门西侧。始建于明嘉靖十五年(1536年),是在仁寿宫的故址上,并撤除大善殿而建成。万历年间因灾重建。清沿明制,顺治十年(1653年)、康熙二十八年(1689年)、乾隆十六年(1751年)均加以修葺,将其作为皇太后居住的正宫。乾隆三十四年(1769年)兴工将慈宁宫正殿由单檐改为重檐,并将后寝殿后移,始定今之形制。
慈宁宫门前有一东西向狭长的广场,两端分别是永康左门、永康右门,南侧为长信门。慈宁门位于广场北侧,内有高台甬道与正殿慈宁宫相通。院内东西两侧为廊庑,折向南与慈宁门相接,北向直抵后寝殿(即大佛堂)之东西耳房。前院东西庑正中各开一门,东曰徽音左门,西曰徽音右门。
正殿慈宁宫居中,前后出廊,黄琉璃瓦重檐歇山顶。面阔7间,当中5间各开4扇双交四椀菱花槅扇门。两梢间为砖砌坎墙,各开4扇双交四椀菱花槅扇窗。殿前出月台,正面出三阶,左右各出一阶,台上陈鎏金铜香炉4座。东西两山设卡墙,各开垂花门,可通后院。
明朝慈宁宫为前代皇贵妃所居。万历年间慈圣李太后,泰昌元年(1620年)万历帝郑皇贵妃、昭妃等人曾在此居住。天启七年(1627年)明熹宗卒,其皇贵妃等人移居此处。清朝顺治十年(1653年),孝庄文皇后始居慈宁宫,自此成为太皇太后和皇太后的住所,太妃、太嫔等人随居。
慈宁宫主要是为太后举行重大典礼的殿堂,凡遇皇太后圣寿节、上徽号、进册宝、公主下嫁,均在此处举行庆贺仪式。特别是太后寿辰时,皇帝亲自率众行礼,并与近支皇戚一同彩衣起舞,礼节十分隆重。
若皇太后薨,梓宫奉安于慈宁宫中,皇帝至此行祭奠礼。
城隍庙位于紫禁城西北隅,依西城垣而建,奉祀掌管水旱疾疫的城隍神。明清时期,城隍神的供奉受到重视。明洪武年间曾下令,以帝、王、公、侯、伯五级爵位分封全国各地的城隍神,命设坛祭祀,并规定地方官到任必须先拜谒当地城隍庙。
紫禁城内现存的城隍庙为清雍正四年(1726年)建,是一组独立的建筑群,前后三进院落,包括山门、庙门、正殿、配殿等建筑10余座。正殿内供奉着紫禁城城隍之神,并陈设经卷、法器。
每年万寿节和农历九月,皇帝派遣内务府总管在此致祭。三月、九月、十二月各供玉堂春富贵花一对,朔、望日则供素菜。
", "content": "城隍庙位于紫禁城西北隅,依西城垣而建,奉祀掌管水旱疾疫的城隍神。明清时期,城隍神的供奉受到重视。明洪武年间曾下令,以帝、王、公、侯、伯五级爵位分封全国各地的城隍神,命设坛祭祀,并规定地方官到任必须先拜谒当地城隍庙。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/7895.jpg", "position": "83.33405389368625,-78.35449218750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236481", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 299, "name": "宝相楼", "detail": "宝相楼位于慈宁宫花园北部,明代原为咸若馆东配殿,清乾隆三十年(1765年)改建为楼式建筑,是园中主体建筑咸若馆的东配楼,清代为皇太后、太妃们的礼佛之所。
宝相楼坐东面西,上下两层,面阔7间。除明间外,其余6间均于下层天花处开天井,使上下两层贯通。楼下明间原供释迦佛立像,其余6间分置“大清乾隆壬寅年敬造”款掐丝珐琅大佛塔6座,塔顶直达天井口。塔周围三面墙壁上均挂通壁大唐卡,共画护法神像54尊。楼上明间原供木雕金漆宗喀巴像,三面墙壁挂释迦画传、宗喀巴画传唐卡,其余6间正面设供案,供显教、密教的主尊像,每间有9尊,共54尊,与楼下所供护法神像相对应;两侧面设壁嵌式千佛龛,每间供小铜像122尊,6室共计732尊;千佛龛下为壁隔式紫檀木经柜,藏贮各种佛经。
宝相楼在明间以外的6间,依照显宗、密宗、事部、行部、瑜伽部、无上瑜伽部父续、无上瑜伽部母续分别配供佛像、唐卡、供器,集显宗、密宗为一体,体现了藏传佛教格鲁派显密兼修的修持特色,成为清宫佛堂的一种重要模式,清宫档案中称之为“六品佛楼”。
", "content": "宝相楼位于慈宁宫花园北部,明代原为咸若馆东配殿,清乾隆三十年(1765年)改建为楼式建筑,是园中主体建筑咸若馆的东配楼,清代为皇太后、太妃们的礼佛之所。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8354[1024].jpg", "position": "81.91391953645314,-103.09570312500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236569", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 298, "name": "宝华殿", "detail": "宝华殿位于雨花阁后昭福门内,建于清代,是清宫中正殿佛堂区中主供释迦牟尼佛的一处佛堂。
殿坐北朝南,后檐接抱厦一间,与北面前檐出厦的中正殿成南北对称格局。殿内明间悬挂着咸丰皇帝御笔“敬佛”匾额,里面供奉着一尊金胎释迦牟尼佛像。龛前供案上供奉的是观音菩萨和阿弥陀佛铜像。平时由喇嘛诵经和设供献,皇帝每年数次到这里拈香引礼。
宝华殿前为一广场式院落,腊八日“送岁”和腊月的“跳布扎”(俗称“打鬼”)等大型佛事活动都在这里举行。 宝华殿至今建筑完好,是极为珍贵的历史文化遗存。
", "content": "宝华殿位于雨花阁后昭福门内,建于清代,是清宫中正殿佛堂区中主供释迦牟尼佛的一处佛堂。", "largeImage": "", "position": "82.66787727945918,-74.20166015625001", "hidden": true, "link_detail": "", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 297, "name": "御景亭", "detail": "御景亭位于御花园内东侧的堆秀山上。这里原是明代观花殿的旧址,万历年间改堆假山。山的东西山石间各有登道,拾级而上可达山顶御景亭。
每年的九月初九重阳节,皇帝、皇后拾级而上登临御景亭,或怡然坐于亭中,俯瞰御花园;或凭栏远眺紫禁城、景山、西苑,秀美景色尽收眼底。
", "content": "御景亭位于御花园内东侧的堆秀山上。这里原是明代观花殿的旧址,万历年间改堆假山。山的东西山石间各有登道,拾级而上可达山顶御景亭。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e998c8cb03af.jpg", "position": "81.30499982340113,-50.33935546875001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236490", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3359&scene_name=scene_3359_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 296, "name": "西井亭", "detail": "御花园西井亭位于千秋亭的东侧。亭的周围有泄水沟槽和白石雕栏板。此亭最大的特点就是下面为四柱方形,到顶部又转为了八角形。能工巧匠们利用“担梁”的技法,使顶部与四柱之间达到了力的平衡,体现出中国古建筑中木结构制作的丰富经验与娴熟的技术。
亭的顶上覆盖着黄色的琉璃瓦,中间是八角形露天洞口,与下面的井口遥相呼应,既是为了纳光,又方便人们用长竿掏井。亭的正中横架一根长木,上面安装有滑轮,这是古代宫中利用机械打水的遗迹。
因为处在御花园中,井亭除了要具备取水的功能外,还要与园中景致协调统一,所以设计装饰的十分考究。檐下的苏式彩画栩栩如生,围栏、柱座均用汉白玉雕琢,从远处看就是一座精美的艺术品,甚至比起园中的观赏亭也豪不逊色。
", "content": "御花园西井亭位于千秋亭的东侧。亭的周围有泄水沟槽和白石雕栏板。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/3958[1024].jpg", "position": "81.58605906409457,-60.60058593750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236499", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3378&scene_name=scene_3378_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 295, "name": "东井亭", "detail": "御花园东井亭位于万春亭前西侧,与西井亭一样也是下部为四柱方形,上面外八方形。亭子顶部为盝顶,即在屋顶的上端,如同平切一刀,做脊围成平顶,形状很像经匣宝匣的盝顶,顶上覆盖黄色琉璃瓦。顶部正中开洞口,一为纳光,二为便于用长竿掏井。
亭檐下是花草枋心苏式彩画,上面绘的蝙蝠、斑竹、花鸟、仕女,栩栩如生,艳丽夺目。整个亭子造型别致,结构巧妙,装修精美,与御花园中的景色相映成趣,是古建筑中少有的井亭精品。
", "content": "御花园东井亭位于万春亭前西侧,与西井亭一样也是下部为四柱方形,上面外八方形。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/3980.jpg", "position": "80.80987499072818,-53.59130859375", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236530", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3341&scene_name=scene_3341_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 337, "name": "玉翠亭", "detail": "玉翠亭、凝香亭原名毓翠亭和金香亭,分别位于御花园的东北、西北隅,是两座不太引人注目的亭子。建于明嘉靖十五年(1536年),万历十九年(1591年)后重建。亭与园墙相邻,旁边有修竹作衬。
两亭形制、构造基本相同。方形四柱攒尖顶,天花板绘五彩百花,顶上是黄、蓝、绿三色相间琉璃瓦,好像棋盘格,显得十分活泼,是宫中仅有的造型。
", "content": "玉翠亭、凝香亭原名毓翠亭和金香亭,分别位于御花园的东北、西北隅,是两座不太引人注目的亭子。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e981571b6035.jpg", "position": "82.01832755637795,-57.45849609375001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236444", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3405&scene_name=scene_3405_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 294, "name": "凝香亭", "detail": "玉翠亭、凝香亭原名毓翠亭和金香亭,分别位于御花园的东北、西北隅,是两座不太引人注目的亭子。建于明嘉靖十五年(1536年),万历十九年(1591年)后重建。亭与园墙相邻,旁边有修竹作衬。
两亭形制、构造基本相同。方形四柱攒尖顶,天花板绘五彩百花,顶上是黄、蓝、绿三色相间琉璃瓦,好像棋盘格,显得十分活泼,是宫中仅有的造型。
", "content": "玉翠亭、凝香亭原名毓翠亭和金香亭,分别位于御花园的东北、西北隅,是两座不太引人注目的亭子。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1632[1024].jpg", "position": "80.89719300308133,-48.01025390625001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236444", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3405&scene_name=scene_3405_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 293, "name": "养性斋", "detail": " 养性斋位于御花园西南,始建于明代,称乐志斋,清代改今名。
斋为两层楼阁式,原为7间,座西面东。清乾隆十九年(1754年)于楼两端向前各接出3间,改建为转角楼。平面呈凹形,前出月台1座。嘉庆二十年(1815年)重修,月台面改墁金砖。道光时亦曾修葺。黄琉璃瓦转角庑殿顶,上层前檐出廊,下层东面明间开门,次间及南北转角3间均为支摘窗。
楼上正中悬康熙帝御笔匾:“飞龙在天”。楼下正中悬匾“居敬存诚”,北楼下东向匾曰:“悦心颐神”。
斋前叠石环抱,曾有曲流馆,后拆除。清嘉庆、道光两帝时常来此斋。逊帝溥仪的英文教师庄士敦曾在此居住。
位育斋位于御花园内的西北部,明代修建,初名对育轩,嘉靖年间曾更名玉芳轩,清代改称今名。“位育”出自《中庸》“致中和,天地位焉,万物育焉”,即各得其所,得以生养发育之意,为儒家政治理想。
斋座北朝南,面阔5间,黄琉璃瓦硬山式顶。明间开门,两次间为支摘窗。这种窗户形制多用在内廷居住建筑及配房、值房等处,又称和合窗,即上部可以支起,下部可以摘下。内外两层,上部可依天气变化用纱、用纸糊饰,下部安装玻璃,以利室内采光。
位育斋曾是宫中道教活动的场所,清雍正时期改作为佛堂。
", "content": "位育斋位于御花园内的西北部,明代修建,初名对育轩,嘉靖年间曾更名玉芳轩,清代改称今名。“位育”出自《中庸》“致中和,天地位焉,万物育焉”,即各得其所,得以生养发育之意,为儒家政治理想。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e9814153be5c.jpg", "position": "81.92009856891885,-56.84326171875001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236445", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3404&scene_name=scene_3404_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 338, "name": "千秋亭", "detail": " 万春亭、千秋亭分别位于御花园内浮碧亭、澄瑞亭以南,明嘉靖十五年(1536年)建。是一对造型、构造均相同的建筑,仅藻井彩画有细微的差别。
亭平面呈形,是由一座方亭各面出抱厦形成。四面抱厦前各出白玉石台阶,周围白玉石栏板,绿色琉璃槛墙饰黄色龟背锦花纹,槛窗和隔扇门的槅心都是三交六椀菱花,梁枋施龙锦彩画。重檐攒尖顶,下层檐施单昂三踩斗栱,下层檐以上改成圆形,施单昂五踩斗栱。圆攒尖顶,明称“一把伞”式,黄琉璃竹节瓦。宝顶是由彩色琉璃宝瓶承托鎏金华盖组合成的。上圆下方的屋顶取仿“天圆地方”的古明堂形制。亭内天花板绘双凤,藻井内置贴金雕盘龙,口衔宝珠。两亭色彩绚丽,造型精美,可称是宫中亭子之最。
万春亭、千秋亭分别位于御花园内浮碧亭、澄瑞亭以南,明嘉靖十五年(1536年)建。是一对造型、构造均相同的建筑,仅藻井彩画有细微的差别。
亭平面呈形,是由一座方亭各面出抱厦形成。四面抱厦前各出白玉石台阶,周围白玉石栏板,绿色琉璃槛墙饰黄色龟背锦花纹,槛窗和隔扇门的槅心都是三交六椀菱花,梁枋施龙锦彩画。重檐攒尖顶,下层檐施单昂三踩斗栱,下层檐以上改成圆形,施单昂五踩斗栱。圆攒尖顶,明称“一把伞”式,黄琉璃竹节瓦。宝顶是由彩色琉璃宝瓶承托鎏金华盖组合成的。上圆下方的屋顶取仿“天圆地方”的古明堂形制。亭内天花板绘双凤,藻井内置贴金雕盘龙,口衔宝珠。两亭色彩绚丽,造型精美,可称是宫中亭子之最。
天一门是御花园中央钦安殿院落的南门,明嘉靖十四年(1535年)添建钦安殿院墙时所建,是紫禁城内较为少见的青砖建筑,避火防灾的同时,又与花园清雅苍翠的环境相协调,是一座别致的皇家道观门户。
按古代阴阳五行学说,北方属水。钦安殿位于紫禁城中轴线北端,其院门名为“天一”,乃取《易经》中“天一生水”之意,与五行之说相应。另外,因为嘉靖年间紫禁城多次被火,在此背景下修建钦安殿院墙、院门,并由嘉靖皇帝亲为院门题名,显然亦有祈求平安之意。
天一门朝南而立,主体由青砖砌成,磨砖对缝,工艺考究。两侧各出琉璃影壁与院墙相连,影壁的盒子与岔角部位饰琉璃仙鹤、云朵,做工精美。
门前左右各陈列着1个铜镀金獬豸,为古代传说中能明辨是非的独角神兽。獬豸旁又另有两尊奇石:东侧的海参石,表面有许多海参状条块,西侧的拜斗石,形似诸葛拜北斗之图案。御路正中设青铜香炉1座。门内正对连理柏1株,枝繁叶茂,苍劲古朴。
", "content": "天一门是御花园中央钦安殿院落的南门,明嘉靖十四年(1535年)添建钦安殿院墙时所建,是紫禁城内较为少见的青砖建筑,避火防灾的同时,又与花园清雅苍翠的环境相协调,是一座别致的皇家道观门户。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d4aa5492b6.jpg", "position": "81.20141954209073,-58.02978515625001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236541", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3299&scene_name=scene_3299_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 289, "name": "四神祠", "detail": "四神祠在御花园钦安殿院落的西面,建于明嘉靖十五年(1536年)。亭内靠南墙砌了砖台,面向北方,是架供案奉安神牌的地方。所谓四神有两种说法,一说是青龙、白虎、朱雀、玄武,一说是风、云、雷、雨。汉代将四神看作与辟邪求福有关,四神图案被广泛应用于铜镜、漆器、砖瓦、印章等装饰上,六朝、隋唐时期仍大量流行。
四神祠建筑形制为八角亭子,这也许是取仿道教的“八卦”,造型纤秀,色彩绚丽,别具风格。
", "content": "四神祠在御花园钦安殿院落的西面,建于明嘉靖十五年(1536年)。亭内靠南墙砌了砖台,面向北方,是架供案奉安神牌的地方。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e9988cb9778c.jpg", "position": "81.58284333315854,-58.38134765625001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236488", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3380&scene_name=scene_3380_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 288, "name": "顺贞门", "detail": "顺贞门位于内廷中路北端,是御花园的北门。始建于明初,原名坤宁门。明嘉靖十四年(1535年)因坤宁门移至坤宁宫后北围廊正中而改称今名。
顺贞门由3座随墙琉璃门组成,每个门扇上都纵横排着9颗门钉。这里是内廷通往神武门的重要通道,平时无故禁止开启。皇后到西苑先蚕坛行祭祀礼时或逢钦安殿道场之期,门会打开,由禁军严格把守,供皇后仪仗、道场道士出入。明代若逢宫人病故,棺椁从顺贞门右侧之门送出。
清代顺贞门也是皇宫挑选秀女的地方。待选的八旗秀女被领进神武门后,在顺贞门外恭候。选上的秀女或是成为皇帝的嫔妃,或由皇帝赐给亲王。
清嘉庆年间,顺贞门发生了一起行刺案。一个叫陈德的平民混入皇宫,躲在神武门内的西厢中,当嘉庆皇帝在顺贞门换轿时,手持小刀冲了过去,皇帝在多人的护卫下没有受伤。这场行刺并没有引起当时皇帝和朝臣的警觉,直到十年后林清为首的“天理教”打进皇宫,才让清朝的统治者们再一次意识到皇城守卫的重要性。
", "content": "顺贞门位于内廷中路北端,是御花园的北门。始建于明初,原名坤宁门。明嘉靖十四年(1535年)因坤宁门移至坤宁宫后北围廊正中而改称今名。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8401.jpg", "position": "81.45647360947376,-52.05322265625", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236543", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3703&scene_name=scene_3703_spring", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 287, "name": "坤宁门", "detail": " 坤宁门为坤宁宫后台阶下正中面北之门,北通御花园。明初设坤宁门于御花园钦安殿北,即现顺贞门。明嘉靖十四年(1535年),坤宁宫后北围廊正中广运门改建,同时将其改称坤宁门并一直延续至清朝。坤宁门曾于清顺治十二年(1655年)重修。
门面北,面阔3间,单檐歇山式顶,覆黄琉璃瓦。明间设门,中一间安装宫门两扇。两次间隔为值房,后檐设两抹头方格槛窗,中配方格风窗,前檐为墙。门两侧山墙斜出八字琉璃影壁。两侧接坤宁宫东西庑房。坤宁门是后三宫通往御花园的主要门户。
In the Qing dynasty (1644-1911), except for officials on duty or those who has been summoned for audience, no one was allowed to enter this gate without a thorough check. In order to ensure the security of the Inner Court, all comers had to halt 20 paces from the doors and state their business to messengers.
", "content": "In the Qing dynasty (1644-1911), except for officials on duty or those who has been summoned for audience, no one was allowed to enter this gate without a thorough check.", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/3906[1024].jpg", "position": "78.86156232056146,-75.54199218750001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236497", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=61&scene_id=3232&scene_name=scene_3232_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 285, "name": "昭仁殿", "detail": "昭仁殿始建于明代,是乾清宫东侧的一小殿。清代将殿前斜廊改为砖墙,形成一个独立的院落。殿后三间是藏书之处。
明代紫禁城最后的主人崇祯皇帝,在李自成率军攻进北京时,在昭仁殿挥刀杀死了自己6岁的女儿昭仁公主。
清朝,昭仁殿成为皇帝读书的地方。康熙皇帝将这里作为寝宫,在殿中度过了五十余年光阴。乾隆九年(1744年),皇帝下诏从宫中各处藏书中选出善本藏于昭仁殿,并御笔题书“天禄琳琅”匾挂于殿内。乾隆四十八年(1783年),在殿中特辟一室用来收藏南宋岳珂所校刻的《易》、《书》、《诗》、《礼记》、《春秋》,赐名“五经萃室”。
嘉庆二年(1797年)十月,乾清宫失火,殃及昭仁殿,藏书被焚为灰烬。同年皇帝下诏重辑《天禄琳琅续编》,次年完成。昭仁殿的藏书中,宋金版本用锦函,元版本用青绢函,明版本用褐色绢函,分架排列,皇帝可以随时到此览阅,十分方便。
", "content": "昭仁殿始建于明代,是乾清宫东侧的一小殿。清代将殿前斜廊改为砖墙,形成一个独立的院落。殿后三间是藏书之处。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d4cf1e26a9.jpg", "position": "80.39006463240376,-67.14843750000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236581", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 284, "name": "Imperial Garden (Yu huayuan)", "detail": "The Imperial Garden lies behind the Palace of Earthly Tranquility (Kunning gong) on the central axis of the Forbidden City. Originally known as the “back garden of the imperial palace” in the Ming dynasty (1368-1644), it was renamed the Imperial Garden during the Qing dynasty (1616-1911). First built in the 18th year of the Yongle reign (1420), the Imperial Garden has undergone renovations and expansions several times, yet its original layout is retained.
The garden stretches 80 meters from north to south and 140 meters from east to west, covering an area of 12,000 square meters. At its heart stands the Hall of Imperial Peace (Qin’an dian), with a double-eaved, flat-top pyramidal roof, aligned along the central axis of the Forbidden City. From here, pavilions, terraces, and halls spread out in four directions. The garden’s lush pines, cypresses, and bamboos are interspersed with rockeries, presenting a vibrant landscape throughout all seasons.
Initially designed for the leisure and enjoyment of the royal family, the Imperial Garden also served purposes of worship, recreation, reading, and book storage.
延晖阁位于御花园内西北,明代叫做清望阁,清代改为延辉阁,取“延驻夕阳光辉”之意。
阁北倚宫墙而建,座北面南,与花园东部的堆秀山形成了左右均衡的格局。其从外观看分为上下两层,但内部两层之间还有一暗层。阁上迴廊环绕,玲珑轻盈。
阁前种有松柏翠竹,幽静雅致。阁上悬挂着乾隆皇帝书写的“凝清室”匾额。登阁俯视,园中古柏成行,风光绮丽,北望景山,峻挺葱郁。
清代皇帝经常在此度过冬日的闲暇时光,远眺西山晴雪,让人心旷神怡。乾隆、道光、咸丰三位皇帝均留有吟咏此阁的诗句。嘉庆皇帝将其父亲的数万幅翰墨存放在延辉阁的阁楼上,并作《延辉阁记》一篇以纪念。
", "content": "延晖阁位于御花园内西北,明代叫做清望阁,清代改为延辉阁,取“延驻夕阳光辉”之意", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e998976b7450.jpg", "position": "81.80502352078737,-55.28320312500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236489", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3400&scene_name=scene_3400_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 282, "name": "神武门", "detail": " 神武门是紫禁城的北门,明永乐十八年(1420年)建成,明称玄武门。清康熙年重修时,因避康熙帝玄烨名讳改称神武门。
门总高31m,平面矩形。基部为汉白玉石须弥座,城台辟门洞3券,上建城楼。楼建于汉白玉基座上,面阔5间,进深1间,四周围廊,环以汉白玉石栏杆。楼前、后檐明间与左、右次间开门,菱花隔扇门。东西两山设双扇板门,通城墙及左、右马道。四面门前各出踏跺。楼为重檐庑殿顶,下层单翘单昂五踩斗栱,上层单翘重昂七踩斗栱,梁枋间饰墨线大点金旋子彩画。上檐悬蓝底鎏金铜字满汉文“神武门”华带匾。顶覆黄色琉璃瓦。楼内顶部为金莲水草天花,地面铺墁金砖。
神武门旧设钟、鼓,由銮仪卫负责管理,钦天监指示更点,每日由博士1员轮值。每日黄昏后鸣钟108响,钟后敲鼓起更。其后每更打钟击鼓,启明时复鸣钟报晓。皇帝住宫内时则不鸣钟。
神武门作为皇宫的后门,是宫内日常出入的重要门禁,明清两代皇后行亲蚕礼即由此门出入。清代每三年一次选秀女,备选者经由此偏门入宫候选。1924年逊帝溥仪被逐出宫,即日出宫之时亦由此门离去。
Built by Ming (1368-1644) rulers, the Hall of Imperial Peace (Qin'an dian) is located in the center of the Imperial Garden in the north of the Forbidden City. In 1535, the Jiajing Emperor constructed a wall around the Hall, making it an independent compound. Later in the Qianlong reign (1736-1795), the hall was given porticoes along the front facade. The porticoes no longer survive.
The hall housed the spirit of the True Martial Ruler (Zhenwu dadi), the northern god of Daoist teaching. It has a double-eaved seal-case shaped roof, and was surrounded by exquisitely carved white marble balustrades. In front of the hall flanking the central way, two cypresses with their branches reaching out form an arch that is a spot of interest in of the Forbidden City.
The Hall of Imperial Peace is the only Daoist temple located on the central axis of Beijing. In Qing times, emperors worshiped here and presented burning incense sticks to Daoist deities on the lunar New Year and other festivals.
The Gate of Heavenly Purity (Qianqing men) is the principal entrance to the Inner Court (nei ting) of the Forbidden City. Since its completion in early fifteenth century, it has been rebuilt many times because of damage or total destruction by fire. The current gate is datable to the third year of the Jiangqing reign (1798).
In Qing times, emperors held Morning Audience at this gate. Among them, the Kangxi Emperor (r. 1662-1722) was the most diligent. On the day of morning audience, at around eight o'clock in the morning, he ascended the throne placed in the center of the marble platform of the gate, receiving ministers' reports on state affairs and responding with corresponding instructions.
Flanking the south face of the Gate of Heavenly Purity are glazed tile screens. At the foot of the stairs in front of the gate are placed a pair of gilt bronze lions and a pair of gilt bronze water vats. The platform of the gate joins the raised imperial passage to the north that leads all the way to the foot of the marble stairs in front of the Palace of Heavenly Purity (Qianqing gong).
The Palace of Heavenly Purity (Qianqing gong) was built in the early fifteenth century as the emperor's principal residence. Having been rebuilt several times after conflagrations, the current building is datable to 1798, the third year of the Jiaqing reign (1796-1820).
From the Yongle Emperor (r. 1403-1424) of the Ming dynasty (1368-1644) to the early Qing dynasty (1644-1911), the Palace of Heavenly Purity was the place where emperors slept and worked. Their coffins were held in this palace before burial for several days of a ritual procedures and demonstrating a man's peaceful death in his own place.
Beginning in the Yongzheng reign (1723-1735), the Palace of Heavenly Purity was no longer a residence. The nearby Hall of Mental Cultivation (Yangxin dian) took over that function. However, it still a venue in which emperors conducted routine government business and celebrated major festivals and rituals. "Banquets for a thousand elders” (qiansou yan) were held here in the Kangxi (r. 1662-1722) and Qianlong (r. 1736-1795) reigns.
Hanging high above the throne is a signboard inscribed with "Upright and Pure in Mind” (Zhengda guangming) by the Shunzhi Emperor (r. 1644-1661). The Yongzheng Emperor initiated the custom of placing the name of the heir apparent in a box that was hidden behind this panel. The emperor also carried the designated heir's name. Upon the old emperor's death, the names were compared and, when satisfactorily confirmed, the successor declared.
Southwest of the Gate of Heavenly Purity (Qianqing men) is the Gate of the Thriving Imperial Clan (Longzong men), an important security point from the Inner Court (nei ting) to the West Gardens (Xi yuan). In the narrow sense, West Gardens refer to the imperial gardens on the west side of the Forbidden City, as well as the gardens of the Imperial City including the North, Middle, and the South Lakes and their interesting sites. The West Gardens were damaged by the Eight Allies and after the Revolution of 1911 was divided and squatters moved in. In a broader sense, West Gardens can refer to all the imperial retreats to the west, i.e., the Summer Palace (Yihe yuan), and the Garden of Perfect Brightness (Yuanming yuan).
The gate also led about one-hundred meters to the west to the gate is the Palace of Compassion and Tranquility (Cining gong), the residence of dowager empresses. Even imperial kinsmen and high officials could not enter the gate into the Inner Court unless there was an emergency or unless they were requested for imperial audience. The Office of the Grand Council of State (Junji chu) was located just inside this gate.
Coffins of the Qing emperors who died outside the Forbidden City were carried in through this gate where a mourning assembly was held.
During the Jiaqing reign (1796-1820), a fierce fight between intruding rebel peasants and the imperial guardsmen took place at the gate in 1813. Guardsmen successfully blocked the rebel force's way into the Inner Court by shutting the doors. The half-arrow now stuck in the gate's name plaque is said to be an artifact of the confrontation.
North of the Hall of Union (Jiaotai dian), the Palace of Earthly Tranquility (Kunning gong) was built for the chief consort of the emperor. During Qing times, the Palace was remodeled into a Manchu-style house, which was dubbed "pocket house” (koudai ju): the house has its main door off center to the east rather than in the middle; wooden panel doors replace lattice doors; windows open from the bottom (swinging out on hinges fastened at the top) and are propped up by sticks. Inside the Palace, along the north, the west, and the south walls are linked heated brick kang platforms. The Palace of Tranquility was at once the Shamanism sacrificial hall and the imperial bridal chamber. It still retains the original décor today.
In Qing times, the empress did not live here. It was the bridal chamber for the Kangxi (r. 1662-1722), Tongzhi (1862-1874), Guangxu (r. 1875-1908), and the abdicated Xuantong (r. 1909-1911) emperors. The couples only spent their first two days of marriage in this palace. Then they moved to live in the Palace of Heavenly Purity (Qianqing gong) or the Hall of Mental Cultivation (Yangxin dian).
内廷后三宫之一,位于乾清宫和坤宁宫之间,约为明嘉靖年间建,顺治十二年(1655年)、康熙八年(1669年)重修,嘉庆二年(1797年)乾清宫失火,殃及此殿,是年重建。
交泰殿平面为方形,深、广各3间,单檐四角攒尖顶,铜镀金宝顶,黄琉璃瓦,双昂五踩斗栱,梁枋饰龙凤和玺彩画。四面明间开门,三交六椀菱花,龙凤裙板隔扇门各4扇,南面次间为槛窗,其余三面次间均为墙。殿内顶部为盘龙衔珠藻井,地面铺墁金砖。明间设宝座,上悬康熙帝御书“无为”匾,宝座后有板屏一面,上书乾隆帝御制《交泰殿铭》。东次间设铜壶滴漏,乾隆年后不再使用。西次间设大自鸣钟,宫内时间以此为准。
交泰殿为皇后千秋节受庆贺礼的地方。清代,于此殿贮清二十五宝玺。每年正月,由钦天监选择吉日吉时,设案开封陈宝,皇帝来此拈香行礼。清世祖所立“内宫不许干预政事”的铁牌曾立于此殿。皇帝大婚时,皇后的册、宝安设殿内左右案上。每年春季祀先蚕,皇后先一日在此查阅采桑的用具。
现为宫廷生活原状陈列。
绛雪轩位于御花园的东南,是一座凸形的小殿宇,建于清顺治年间,乾隆时重修。
绛雪轩得名于轩前原有5株古海棠,落花时节便有漫天的胭脂飞雪缤纷而降。轩内门窗全用楠木本色,柱、框、梁、枋皆饰斑竹纹彩画,朴实淡雅。乾隆皇帝对此轩钟爱有加,多次赋诗赞美。
绛雪轩前的琉璃花坛制做极为精细,体量、造型恰到好处,五彩琉璃须弥座,翠绿色栏板,绛紫色望柱,汉白玉上枋,色彩妍丽而协调。花坛前竖立一远古木质化石柱更是珍奇,上刻乾隆帝御题诗句。
晚清时,为取祥和瑞圣的吉兆,慈禧命人从河南移来太平花,代替了古海棠。然而,太平花开年年,宫墙外却早已是沧海桑田,一花岂能左右王朝的兴衰,唯有那盛世太平的心愿至今仍在绛雪轩前枝繁叶茂。
", "content": "绛雪轩位于御花园的东南,是一座凸形的小殿宇,建于清顺治年间,乾隆时重修。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1618[1024].jpg", "position": "80.67911826095326,-54.1845703125", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236466", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3330&scene_name=scene_3330_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 274, "name": "弘德殿", "detail": " 弘德殿为乾清宫之西小殿,始建于明代,初名雍肃殿,明万历十四年(1586年)改今名。
殿南向,单檐歇山顶,覆黄琉璃瓦。面阔3间,明间辟门,两次间为槛窗。前接抱厦3间。殿中悬挂匾曰“奉三无私”,南向设御座。后室3间,有匾曰“太古心殿”,后东室匾曰“怀永图”,皆为乾隆皇帝御笔。明代殿前有斜廊,清代改为砖墙,自成一院。东侧有小门一道,以通内外,西侧为凤彩门,是正宫通向西路的安全出口,明代已有,门之建制与昭仁殿东侧之龙光门相同。
清嘉庆二年(1797年),乾清宫失火延烧弘德殿,次年重建。光绪十六年(1890年)、二十三年(1897年)重修。
弘德殿在明代为召见臣工之处,清代则为皇帝办理政务及读书之处。顺治十四年(1657年)以开日讲祭告先师孔子于弘德殿。康熙年间,康熙皇帝在弘德殿命讲官进讲四书五经,并与讲官论及吏治之道,亦或吟诗作赋。同治年间,奉两宫皇太后懿旨,同治皇帝在弘德殿入学读书,惠亲王绵愉专司弘德殿皇帝读书事,祁寯藻、翁同龢授读,时有弘德殿书房之称。
堆秀山,明时称堆绣山,是御花园东北部一座人工堆垒的石山,建于万历十一年(1583年)。这里原是明代观花殿的旧址。山北依宫墙,高约10米,正面岩洞门额上以满汉文题“堆秀”二字。
山前两侧设有宫中仅存之水法——石蟠龙喷泉,泉水从龙口喷出,高达数丈,颇为壮观。
工匠们巧妙运用了山石漏透、形状大小不一的特点,打造出了“十二生肖”中的动物形状,神态各异,令人揣摩遐想。
山上建有御景亭,是重阳时节皇帝与后妃们登高远眺、凭栏吟诗之所。清嘉庆帝曾作诗《登堆秀山作歌》,云:“紫禁御园传自明,古木葱郁长发荣。小山崚嶒额‘堆秀’,试登极顶俯京城。”
", "content": "堆秀山,明时称堆绣山,是御花园东北部一座人工堆垒的石山,建于万历十一年(1583年)。这里原是明代观花殿的旧址。山北依宫墙,高约10米,正面岩洞门额上以满汉文题“堆秀”二字。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e980743acc43.jpg", "position": "81.0932138526084,-50.62500000000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236429", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3359&scene_name=scene_3359_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 272, "name": "浮碧亭", "detail": "浮碧亭位于御花园的东北,明万历十一年(1583年)建,清雍正十年(1732年)时,添建了前檐抱厦。
浮碧亭坐落在一个矩形水池上,下面是一座单券洞石桥。额枋彩画不似一般的虫草花鸟,而采用宫庭花园特有的金线龙锦彩画。亭下池中芙蓉出水,游鱼穿泳,为御花园的景色增添了清新活泼的情趣。
民国年间这座精致的小亭差点被毁。张勋复辟时,段祺瑞政府用飞机向紫禁城投掷炸弹,据说一颗就落在了浮碧亭前的水池里,幸好没有造成太大的损失。
", "content": "浮碧亭位于御花园的东北,明万历十一年(1583年)建,清雍正十年(1732年)时,添建了前檐抱厦。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e998d952596d.jpg", "position": "80.92496064825788,-50.2294921875", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236498", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3353&scene_name=scene_3353_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 271, "name": "摛藻堂", "detail": "摛藻堂位于御花园内堆秀山东侧,依墙面南,面阔5间,黄琉璃瓦硬山式顶,堂西墙辟有一小门,可通西耳房。堂前出廊,明间开门,次梢间为槛窗。室内放置书架,为宫中藏书之所。乾隆四十四年(1779年)后,《四库全书荟要》曾贮藏于此。
", "content": "摛藻堂位于御花园内的东北角,堆秀山东侧,坐北朝南,依墙而建,面阔5间。“摛藻”为施展文采之意。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e980a146322f.jpg", "position": "80.97335205996256,-48.80126953125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236432", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=63&scene_id=3358&scene_name=scene_3358_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"/ency_tree", "event": false, "lvl": 0 }, { "id": 270, "name": "澄瑞亭", "detail": "澄瑞亭建于明万历十一年(1583年),前檐抱厦为清雍正十年(1732年)所添建。方亭内为金龙图案井口天花,正中有双龙戏珠八方藻井,檐下龙锦彩画。亭平面方形三开间,下有矩形水池,池上横跨单券洞石桥,亭座落于桥上。
澄瑞亭是宫中道教活动的一个场所,亭的四周原来装有窗户,内设斗坛,后来被拆除。
重华宫漱芳斋戏台,重华宫曾为乾隆潜邸,即位后颇加修葺,增设戏台,顶层置升降绞车。新年在此宴赉廷臣,演戏赐茶。1923年,逊清皇室在此戏台为敬懿皇贵太妃的生日演出,成为宫中戏曲活动的终曲。
", "content": "重华宫曾为乾隆皇帝潜邸,乾隆帝即位后颇加修葺,增设了戏台。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/2029.jpg", "position": "82.12741757373921,-60.73242187500001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236565", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"/ency_yuanxiao", "event": false, "lvl": 0 }, { "id": 268, "name": "重华宫", "detail": "重华宫位于内廷西六宫以北,原为明代乾西五所之二所。雍正年间,弘历作为皇子,结婚后移居于此。弘历登极后,此处作为肇祥之地升为宫,名重华。取自上古明君舜的字,意在颂扬乾隆皇帝有舜之德,能使国家有尧舜之治。
重华宫有三进院落,前为崇敬殿,为起居宴客之地,殿内正中悬弘历为和硕宝亲王时亲笔所书“乐善堂”匾额,中为重华宫,乃乾隆皇帝为皇子时与福晋的卧室;后为翠云馆,收藏乐器和书籍。东次间有匾曰“长春书屋”,是乾隆皇帝即位前读书的地方。
风雅的乾隆皇帝还仿效汉武帝与词臣们在柏梁台赋诗联句的佳话,自乾隆八年(1743年)始,每岁新正召集内廷大学士、翰林等人在重华宫赐茶宴联句。君臣一边喝茶,一边联句集诗。乾隆皇帝还经常另作律诗,命人刻匾悬于崇敬殿内檐,至乾隆六十年(1795年)时已挂满四周。此后嘉庆皇帝将重华宫茶宴联句作为家法,于每年的正月初二至初十期间举行。道光年间时有举行,咸丰以后终止。
", "content": "重华宫位于内廷西六宫以北,原为明代乾西五所之二所。雍正年间,弘历作为皇子,结婚后移居于此。弘历登极后,此处作为肇祥之地升为宫,名重华。取自上古明君舜的字,意在颂扬乾隆皇帝有舜之德,能使国家有尧舜之治。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5eff075737310.jpg", "position": "82.29122846951195,-62.16064453125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236506", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 267, "name": "螽斯门", "detail": " 螽斯门位于紫禁城内廷西路西六宫区域的西二长街南端,南向,与北端百子门相对,始建于明代。
螽斯门的典故源自《诗经·周南·螽斯》:
螽斯羽,诜诜兮,宜尔子孙,振振兮。\r\n
螽斯羽,薨薨兮,宜尔子孙,绳绳兮。
螽斯羽,揖揖兮,宜尔子孙,蛰蛰兮。
螽斯是一种昆虫,繁殖力强,善鸣。诗中描述了螽斯聚集一方、子孙众多、虫鸣阵阵的景象。皇宫内廷西六宫的街门命名为螽斯,意在祈盼皇室多子多孙,帝祚永延,与东六宫的麟趾门相对应而取吉瑞之意。
清末,宣统皇帝溥仪为了骑车方便,将内廷部分街门和院落之门的门槛锯掉,其中就包括螽斯门。锯下的门槛两端做出榫头,残留的两段门槛上再分别凿出卯眼,每到夜晚封门上锁之时,须将门槛装回原位,以保门禁的森严。
", "content": "螽斯门位于紫禁城内廷西路西六宫区域的西二长街南端,南向,与北端百子门相对,始建于明代。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/13146[1024].jpg", "position": "81.75160686385584,-77.87109375", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236551", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 266, "name": "长春宫戏台", "detail": "长春宫戏台,位于西路体元殿后,面阔三间,北向长春宫。寒冬演戏,搭盖玻璃棚,称为暖台。慈禧听政时寝居长春宫,组建以长春宫近侍太监为主的戏班,称为本宫班,经常在此排练演出。
清光绪十年(1884年),为庆慈禧太后五十寿辰,曾在此演戏达半月之久。
", "content": "长春宫戏台,位于西路体元殿后,面阔三间,北向长春宫。寒冬演戏,搭盖玻璃棚,称为暖台。慈禧听政时寝居长春宫,组建以长春宫近侍太监为主的戏班,称为本宫班,经常在此排练演出。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/51833.jpg", "position": "82.11235524021949,-75.23437500000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236560", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 265, "name": "Palace of Eternal Spring (Changchun gong)", "detail": " 长春宫,内廷西六宫之一,明永乐十八年(1420年)建成,初名长春宫,嘉靖十四年(1535年)改称永宁宫,万历四十三年(1615年)复称长春宫。清康熙二十二年(1683年)重修,后又多次修整。咸丰九年(1859年)拆除长春宫的宫门长春门,并将启祥宫后殿改为穿堂殿,咸丰帝题额曰“体元殿”。长春宫、启祥宫两宫院由此连通。
长春宫面阔5间,黄琉璃瓦歇山式顶,前出廊,明间开门,隔扇风门,竹纹裙板,次、梢间均为槛窗,步步锦支窗。明间设地屏宝座,上悬“敬修内则”匾。左右有帘帐与次间相隔,梢间靠北设落地罩炕,为寝室。殿前左右设铜龟、铜鹤各1对。东配殿曰绥寿殿,西配殿曰承禧殿,各3间,前出廊,与转角廊相连,可通各殿。廊内壁上绘有18幅以《红楼梦》为题材的巨幅壁画,属清晚期作品。长春宫南面,即体元殿的后抱厦,为长春宫院内的戏台。东北角和西北角各有屏门一道,与后殿相通。
后殿曰怡情书史,与长春宫同期建成,面阔5间,东西各有耳房3间。东配殿曰益寿斋,西配殿曰乐志轩,各3间。后院东南有井亭1座。
此宫明代为妃嫔所居,天启年间李成妃曾居此宫。清代为后妃所居,乾隆皇帝的孝贤皇后曾居住长春宫,死后在此停放灵棺。同治年至光绪十年(1884年),慈禧太后一直在此宫居住。
永寿宫为内廷西六宫之一。建于明永乐十八年(1420年),初名长乐宫。嘉靖十四年(1535年)改名毓德宫,万历四十四年(1616年)又更名为永寿宫。清朝顺治十二年(1655年)、康熙三十六年(1697年)、光绪二十三年(1897年)都曾重修或大修,但仍基本保持明初始建时的格局。
永寿宫为两进院,前院正殿永寿宫面阔5间,黄琉璃瓦歇山顶。外檐装修,明间前后檐安双交四椀菱花槅扇门,次间、梢间为槛墙,上安双交四椀菱花槅扇窗。殿内高悬乾隆皇帝御笔匾额“令仪淑德”,东壁悬乾隆《圣制班姬辞辇赞》,西壁悬《班姬辞辇图》。乾隆六年(1741年),乾隆皇帝下令,内廷东西十一宫的匾额“俱照永寿宫式样制造”,自挂起之后,不许擅动或更换。
正殿有东西配殿各3间。后院正殿5间,东西有耳房,殿前东西亦有配殿各3间。院落东南有井亭1座。
永寿宫为明代妃嫔、清代后妃所居之处。明万历十八年(1590年),皇帝曾在此召见大学士申时行等人;崇祯十一年(1638年),因国内灾情异象屡屡出现,皇帝在此宫斋居。清代顺治帝皇贵妃董鄂氏、恪妃,嘉庆帝如妃曾在此居住。雍正十三年(1735年),雍正皇帝崩,孝圣宪皇太后居永寿宫,乾隆皇帝居乾清宫南廊苫次,并诣永寿宫问安。
乾隆三十七年(1772年)和恪和硕公主下嫁、乾隆五十四年(1789年)和孝固伦公主下嫁和珅之子,均设宴于永寿宫。道光中晚期,外侮内患日盛,而朝廷内部一味讳饰,将各疆吏密奏匿于永寿宫。光绪以后,此宫前后殿均设为大库,收贮御用物件。现辟为故宫博物院文物陈列室。
Built in 1417, the Palace of Earthly Honor (Yikun gong) was originally named Palace of Myriad Peace (Wan'an gong), and called the present name during the Ming Jiajing reign (1522-1566). It was the residence of emperesses and concubines in the Ming and Qing dynasties.
On grant ceremonies,empress dowager Cixi would receive respects here from imperial concubines.On her fiftieth birthday in 1884,the empress dowager Cixi once received congratulations from courtiers here.
The Hall of Spiritual Cultivation (Yangxing dian) is laid just north of the Hall of Tranquil Longevity (Ningshou gong). Now it has been converted into a gallery of the Treasure Hall, exhibiting ritual objects of the Qing dynasty. Imitating the Hall of Mental Cultivation (Yangxin dian) in the western part of the imperial palace, it was constructed in 1776 during the Qianlong reign (1736-1795) to be his living quarters after his retirement. However, he never moved here. Instead, he often threw banquets in this hall to entertain imperial kinsmen and high-ranking officials. In the late Qing dynasty (1644-1911), the Empress Dowager Cixi lived here with the east chamber as the dinning room.
", "content": "The Hall of Spiritual Cultivation (Yangxing dian) is laid just north of the Hall of Tranquil Longevity (Ningshou gong). Now it has been converted into a gallery of the Treasure Hall, exhibiting ritual objects of the Qing dynasty.", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/2479[1024].jpg", "position": "81.59569894043715,-79.84863281250001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236442", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=50&scene_id=2985&scene_name=scene_2985_summer", "link_exhibition": "", "link_media": "/en/info/1328?i=7", "link_game": "", "link_album":"/en/article/1128", "event": false, "lvl": 2 }, { "id": 261, "name": "Palace of Universal Happiness (Xianfu gong)", "detail": " 咸福宫为内廷西六宫之一。建于明永乐十八年(1420年),初名寿安宫。嘉靖十四年(1535年)更名为咸福宫。清康熙二十二年(1683年)重修,光绪二十三年(1897年)又加修整。
咸福宫为两进院,正门咸福门为琉璃门,内有4扇木屏门影壁。前院正殿额曰“咸福宫”,面阔3间,黄琉璃瓦庑殿顶,形制高于西六宫中其它五宫,与东六宫相对称位置的景阳宫形制相同。前檐明间安槅扇门,其余为槅扇槛窗,室内井口天花。后檐仅明间安槅扇门,其余为檐墙。殿内东壁悬乾隆皇帝《圣制婕妤当熊赞》,西壁悬《婕妤当熊图》。山墙两侧有卡墙,设随墙小门以通后院。殿前有东西配殿各3间,硬山顶,各有耳房。
后院正殿名“同道堂”,面阔5间,硬山顶,东西各有耳房3间。前檐明间安槅扇门,设帘架,余间为支摘窗;后檐墙不开窗。室内设落地罩隔断,顶棚为海墁天花。殿内东室匾额为“琴德簃”,曾藏古琴;西室“画禅室”,所贮王维《雪溪图》、米之晖《潇湘白云图》等画卷都是董其昌画禅室旧藏,室因此而得名。同道堂亦有东西配殿,堂前东南有井亭1座。
咸福宫为后妃所居,前殿为行礼升座之处,后殿为寝宫,乾隆年间改为皇帝偶尔起居之处。嘉庆四年(1799年)正月,乾隆皇帝崩,嘉庆帝住于咸福宫守孝,下令不设床,仅铺白毡、灯草褥,以此宫为苫次,同年十月才移居养心殿。此后咸福宫一度恢复为妃嫔居所,道光帝琳贵人(庄顺皇贵妃)、成贵妃、彤贵妃、常妃等都曾在此居住。道光三十年(1850年),咸丰皇帝住于咸福宫为道光皇帝守孝,守孝期满后仍经常在此居住。
同道堂是西六宫之一咸福宫的后殿,明永乐十八年(1420年)与咸福宫同期建成。清沿明旧,仍名曰同道堂。曾作为皇帝偶尔起居的住所。
乾隆年间,殿内东室匾额为“琴德簃”,曾藏古琴;西室“画禅室”,所贮王维《雪溪图》、米之晖《潇湘白云图》等画卷都是董其昌画禅室旧藏,室因此而得名。
咸丰皇帝在同道堂留下的印记是最多的,“同道堂”门额、明间正中的“襄赞壸仪”、东次间的“译经粹室”、东尽间的“克敬居”诸匾皆为咸丰皇帝御笔,替代了乾隆时期的匾额。英法联军攻占北京前夕,咸丰帝还曾在同道堂传膳。
同道堂在晚清时期曾作为皮衣库使用。
", "content": "同道堂是西六宫之一咸福宫的后殿,明永乐十八年(1420年)与咸福宫同期建成。清沿明旧,仍名曰同道堂。曾作为皇帝偶尔起居的住所。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/18015[1024].jpg", "position": "82.4198342344112,-67.10449218750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236583", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 259, "name": "体元殿", "detail": "体元殿原为启祥宫后殿,清咸丰九年(1859年)将此殿改为前后开门的穿堂殿,连接启祥宫和长春宫,咸丰御笔匾题曰“体元殿”。 “体元”意为人君要以天地元气为本,常居正道以施行政教。正殿后又接出3间小屋(抱厦),北向与长春宫相对,为长春宫戏台。清光绪十年(1884年)慈禧太后五十寿辰时就曾在此看戏庆寿。
该殿现为宫廷生活原状陈列。
", "content": "体元殿原为启祥宫后殿,清咸丰九年(1859年)将此殿改为前后开门的穿堂殿,连接启祥宫和长春宫,咸丰御笔匾题曰“体元殿”。 ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/3968.jpg", "position": "82.08517084229395,-75.93750000000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236544", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 258, "name": "体和殿", "detail": "体和殿位于西六宫的翊坤宫之后,原为翊坤宫的后殿,清光绪年间将此殿改为前后开门的穿堂殿,名曰“体和殿”。
体和殿东西分别是慈禧太后居住储秀宫时用膳和饭后饮茶休息的场所。
光绪帝载湉大婚前在此殿遴选后妃,在慈禧太后的淫威之下,慈禧太后的侄女入选为后,即后来的隆裕皇后。礼部左侍郎长叙的两个女儿入选为嫔,即后来的珍妃和瑾妃。
现在看到体和殿内装饰有精致的雕花落地罩,也是光绪九年为慈禧太后五十寿辰的加修工程之一。
", "content": "体和殿位于西六宫的翊坤宫之后,原为翊坤宫的后殿,清光绪年间将此殿改为前后开门的穿堂殿,名曰“体和殿”。", "largeImage": "", "position": "81.91082826021778,-68.00537109375001", "hidden": true, "link_detail": "", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 257, "name": "Hall of the Supreme Principle (Taiji dian)", "detail": " 太极殿,内廷西六宫之一,建于明永乐十八年(1420年)。原名未央宫,因嘉靖皇帝的生父兴献王朱祐杬生于此,故于嘉靖十四年(1535年)更名启祥宫,清代晚期改称太极殿。清代曾多次修葺。
太极殿原为二进院,清后期改修长春宫时,将太极殿后殿辟为穿堂殿,后檐接出抱厦,并与长春宫及其东西配殿以转角游廊相连,形成迴廊,东西耳房各开一间为通道,使太极殿与长春宫连接成相互贯通的四进院。
太极殿面阔5间,黄琉璃瓦歇山顶,前后出廊。外檐绘苏式彩画,门窗饰万字锦底团寿纹,步步锦支摘窗。室内饰石膏堆塑五福捧寿纹天花,系清末民初时所改。明间与东西次间分别以花梨木透雕万字锦地花卉栏杆罩与球纹锦地凤鸟落地罩相隔,正中设地屏宝座。殿前有高大的祥凤万寿纹琉璃屏门,与东西配殿组成一个宽敞的庭院。
后殿为体元殿,黄琉璃瓦硬山顶,面阔5间,前后明间开门。后檐接抱厦3间,为长春宫戏台。清光绪十年(1884年),为庆慈禧五十寿辰,曾在此演戏达半月之久。明万历年间,乾清、坤宁两宫火灾,神宗朱翊钧曾暂居启祥宫。逊帝溥仪出宫前,同治帝瑜太妃曾居太极殿。
现为宫廷生活原状陈列。
漱芳斋“风雅存”戏台,位于漱芳斋后殿西间,攒尖亭式,台前挂有“风雅存”匾额和对联,均为乾隆帝御题。
戏台搭在室内,功能设施一一俱全:前登台,后扮戏;彩妆、清唱均为适宜。两侧彩绘劲竹图案的抱柱上浅雕着乾隆御题楹联“自喜轩窗无俗韵,聊将山水寄清音”。有趣的是,楹联的底板被巧妙地制成了两张古琴的样式,上面稍宽,下面略收,微微凸起的琴面上浅雕着绿色的隶书体字,古朴雅致别具匠心。
戏台是供皇帝或太后进膳时表演承应折子戏时用的,传说乾隆皇帝曾在此登台为其母亲演奏单弦,以示孝道。一方小小戏台,不知历尽几多帝王后妃,名流显贵。
", "content": "漱芳斋“风雅存”戏台,位于漱芳斋后殿西间,攒尖亭式,台前挂有“风雅存”匾额和对联,均为乾隆帝御题。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/2030.jpg", "position": "82.2350258640378,-59.52392578125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236558", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"/ency_yuanxiao", "event": false, "lvl": 0 }, { "id": 255, "name": "Studio of Cleansing Fragrance (Shufang zhai)", "detail": " 漱芳斋,原为乾西五所之头所,始建于明永乐十八年(1420年)。清乾隆皇帝即位后,改乾西二所为重华宫,遂将头所改为漱芳斋,并建戏台,作为重华宫宴集演戏之所。
漱芳斋为工字形殿,前殿与南房、东西配殿围成独立的小院,其间有游廊相连。前殿面阔5间,进深3间,黄琉璃瓦歇山顶,前檐明间安风门,余皆为槛窗。室内明间与次间以落地罩分隔,东次室额曰“静憩轩”,为乾隆七年(1742年)御题,是弘历旧时读书处。殿前东西配殿各3间,东配殿明间前后皆开门,东出即御花园。院落南房北面接戏台一座,与漱芳斋前殿相对。戏台为亭式建筑,面阔、进深各3间,黄琉璃瓦重檐四角攒尖顶。台面90㎡左右,是宫中最大的单层戏台。
后殿名“金昭玉粹”,面阔5间,进深1间,前檐明间接穿堂与前殿相连,余皆为槛窗。另有西耳房1间,西配房3间。殿内西梢间修亭式小戏台一座,面东,额曰“风雅存”,前檐左右柱上各悬古琴形木制楹联曰“自喜轩窗无俗韵,聊将山水寄清音”。台后开小门与西耳房相通。殿之东室额曰“高云情”,与小戏台相对,为侍宴观戏之处。
乾隆年间,皇帝每岁新正先至西苑阐福寺拈香,而后到漱芳斋开笔书福。逢万寿节、圣寿节、中元节、除夕等重要节日,常侍奉皇太后在后殿进膳、看戏,并赐宴于王公大臣。道光、咸丰、同治等朝依旧奉皇太后或皇贵太妃等人在此用膳。宣统皇帝逊位后,同治帝瑜妃、瑨妃曾居漱芳斋芝兰室,遇太妃诞辰日,仍于此处传戏,直至溥仪被迫“即日出宫”。
目前漱芳斋建筑及内装修均完好,为故宫博物院贵宾接待处。
丽景轩为储秀宫后殿,面阔5间,单檐硬山顶。明间开风门,其余4间为槛窗,楠木门窗雕刻万字锦地,上饰五福捧寿、万福万寿纹饰,转角处包饰龙凤云纹铜角叶。明间台阶两侧各有四汉白玉石台座,用来摆放香炉、神兽等。
殿东西两侧各有耳房3间,卷棚硬山顶。前有东西配殿各3间,额曰凤光室、猗兰馆,与储秀宫、丽景轩围合成一个狭长的庭院,庭院南侧东西各有水井一眼,其上原有的井亭已无存。
据文献载,慈禧初入宫时即居于储秀宫,并于咸丰六年(1856年)三月在后殿生下载淳,即后来的同治皇帝。
同治十一年(1872年)皇帝大婚后,嘉顺皇后阿鲁特氏居住储秀宫,直到光绪元年(1875年)二月去世。
光绪十年(1884年),慈禧太后50大寿,以圣母皇太后的身份再次居住储秀宫,时将后殿思顺斋改名为丽景轩。
清晚期在丽景轩内建有小戏台。清逊帝溥仪曾在此举办西餐宴会。
现为宫廷生活原状式陈列,并有“溥仪生活展”。
Within the Forbidden City’s northwest corner lies a palace garden built in 1735 during Emperor Qianlong’s reign(1735-1796), named the Garden of the Palace of Established Happiness after its adjacent palace. Due to its location in the west of the inner court, it is also called West Garden.
The eastern buildings are symmetrically distributed along the north-south axis, reflecting regal solemnity. On contrary, the western buildings radiate from the Belvedere of Prolonged Spring, showcasing the flexible, diverse architectural style of the Qianlong era. In 1774, the 39th year of Emperor Qianlong’s reign, construction of the Garden of the Palace of Tranquil Longevity (Ningshou gong) commenced, which modeled after this garden and replicated many of its exquisite features. Emperor Qianlong deeply cherished this garden, penning countless poems and verses and storing precious rarities here. Emperor Jiaqing (r. 1796-1820) later sealed this garden, preserving it solely as the imperial treasure trove. A disaster struck in June 1923 when flames consumed the Bower of Tranquil Delight, Belvedere of Prolonged Spring, Studio of Esteemed Excellence, and Hall of Rectitude (Zhongzheng dian), reducing this garden with breathtaking beauty as well as countless treasures stored here to ashes.
In May 2006, the Garden of the Palace of Established Happiness blossomed once more.
", "content": "Within the Forbidden City’s northwest corner lies a palace garden built in 1735 during Emperor Qianlong’s reign(1735-1796), named the Garden of the Palace of Established Happiness after its adjacent palace. ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/2026.jpg", "position": "82.80676059548207,-68.77441406250001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236492", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 252, "name": "Palace of Established Happiness (Jianfu gong)", "detail": " 建福宫位于内廷西路西六宫西侧,清乾隆七年(1742年)利用乾西五所之西四所及其以南的狭长地段修建而成。嘉庆七年(1802年)重修。
建福宫为一南北狭长的院落,东西宽约21m,南北长逾110m。整座院落从建福门起,以抚辰殿、建福宫、惠风亭和静怡轩4座重要建筑为核心,依次构成4进庭院。
建福门是建福宫正门,位于南端宫墙正中,门内即第一进院落,抚辰殿居中而立。抚辰殿后即建福宫,其间以宽阔的甬道相连。抚辰殿后檐廊与建福宫前廊东西各接转角游廊9间,围合成廊院。
建福宫面阔3间,进深3间,黄琉璃瓦绿剪边卷棚歇山顶,檐下施斗拱,前后檐明间各安4扇三交六椀菱花槅扇门,次、梢间前檐为槛窗,后檐为砖墙。室内明、次间以槅扇分隔,形成“一明两暗”的格局。明间后檐金柱间亦设槅扇,槅扇前设宝座,上悬乾隆御书“不为物先”匾。所有槅扇均为黑漆描金,槅心为双层灯笼锦棂条,中间夹纱,裙板、绦环板均绘五彩吉祥图案,工艺十分考究。东、西两次间后檐分设红漆描金炕罩和落地罩,西次间落地罩内供奉神位。房顶设软天花,顶棚及墙壁通贴团花图案银花纸。建福宫内装修色彩丰富,做工精致,是紫禁城建筑室内装修的代表作。由建福宫两侧游廊穿行可至第三进庭院,院中央即惠风亭。亭之北以红墙隔出最后一进院落,院中的静怡轩、慧曜楼后来划入西花园(建福宫花园)内。
建福宫初建时拟为乾隆皇帝“备慈寿万年之后居此守制”之用,后因故未行。乾隆帝十分喜爱建福宫,时常到此游憩,吟咏亦颇多,著名之作有《建福宫赋》、《建福宫红梨花诗》等。后清宫定制每年嘉平朔日(腊月初一)皇帝御此宫开笔书福,以贺新禧。咸丰皇帝曾奉皇贵太妃在此进膳;孝德显皇后、孝贞显皇后(慈安)的神位也曾设于此宫。现建筑完好。
The Palace of Gathered Elegance (Chuxiu gong) is located in the northeast of the Six Western Palaces. Notable among the consorts who lived here throughout the Ming (1368-1644) and Qing (1644-1911) dynasties was the Empress Dowager Cixi. She lived here when she was young as Consort Yi. In the rear hall, she gave birth to Zaichun, the only son of the Xianfeng Emperor (r. 1851-1861) and became the Tongzhi Emperor (r. 1862-1874). Walls of the roofed corridors in the courtyard are inscribed with a Long Life Odes by the courtiers for her fiftieth birthday.
", "content": "The Palace of Gathered Elegance (Chuxiu gong) is located in the northeast of the Six Western Palaces. Notable among the consorts who lived here throughout the Ming (1368-1644) and Qing (1644-1911) dynasties was the Empress Dowager Cixi.", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e99869751add.jpg", "position": "82.0061141122865,-65.69824218750001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236486", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=51&scene_id=3061&scene_name=scene_3061_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 250, "name": "竹香馆", "detail": "竹香馆位于宁寿宫花园(乾隆花园)符望阁的西北,西倚宫墙,面东而立。清乾隆三十七年(1772年)仿建福宫花园碧琳馆而建。
竹香馆小巧精致,外侧遍堆石山,下层窗口掩映在山石缝隙之中,从外表看好像建在山峦上一样。南北两端各有斜廊,通向玉萃轩和倦勤斋。
竹香馆做工很精细,檐下有斗栱,梁、枋上有金龙和玺彩画,窗下有冰纹矮墙。竹香馆前建有弓形墙垣,形成独立小院。墙正中开八方形洞门,门额刻“映寒碧”三字。墙两侧开辟了许多美丽的琉璃漏窗,想是为了透视竹景,正符合“石径玲珑借曲廊,几枝修竹静含香”的诗意。
", "content": "竹香馆位于宁寿宫花园(乾隆花园)符望阁的西北,西倚宫墙,面东而立。清乾隆三十七年(1772年)仿建福宫花园碧琳馆而建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1571.jpg", "position": "79.38795206076138,-37.39746093750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236485", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 249, "name": "珍妃井", "detail": "珍妃井原是宁寿宫北端贞顺门内的一口普通水井,因珍妃被慈禧溺死于此而得名。现在我们看到的水井井眼已经被井口石挡住了。
清光绪二十六年(1900年),八国联军攻打京城,慈禧太后与光绪皇帝仓惶西逃。临行之前,慈禧太后将幽禁在景祺阁北小院的珍妃召至颐和轩,命太监崔玉贵等人将她推入井中溺死。珍妃死后,宫里仍有人惦念着她。一是光绪皇帝,光绪二十七年(1901年)銮驾回京,珍妃被追封为贵妃,其家人获准将尸体打捞出来,安厝于西郊田村,后葬于清西陵的崇陵妃园寝。另一位是珍妃的姐姐瑾妃,宣统皇帝逊位后,曾在井北侧的怀远堂东间为珍妃设小灵堂,立牌位,以示哀悼。
", "content": " 珍妃井原是宁寿宫北端贞顺门内的一口普通水井,因珍妃被慈禧溺死于此而得名。现在我们看到的水井井眼已经被井口石挡住了。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/4654.jpg", "position": "79.07597677352747,-33.75000000000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236447", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3632&scene_name=scene_3632_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 248, "name": "云光楼", "detail": "云光楼位于宁寿宫花园(乾隆花园)第四进院落的西南角,清乾隆三十七年(1772年)建,形制仿自建福宫花园的“玉壶冰”。楼内有乾隆皇帝御笔匾额“养和精舍”。
云光楼平面为直角转向,形如曲尺。楼分上下两层, 上层北侧以石桥与院内假山相通,东侧外接上下两层游廊与萃赏楼相接。楼内东侧设佛堂,有匾额曰“西方极乐世界安养道场”。乾隆、嘉庆两位皇帝均有《养和精舍》诗咏。
", "content": "云光楼位于宁寿宫花园(乾隆花园)第四进院落的西南角,清乾隆三十七年(1772年)建,形制仿自建福宫花园的“玉壶冰”。楼内有乾隆皇帝御笔匾额“养和精舍”。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1566[1024].jpg", "position": "78.92505320959488,-39.13330078125001", "hidden": true, "link_detail": "https://dpm.org.cn/explore/building/236462", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 247, "name": "阅是楼", "detail": "阅是楼位于宁寿宫后区东路,在畅音阁大戏楼的对面(北侧),为清宫的观戏场所。乾隆三十七年(1772年)建,同治十三年(1874年)慈禧四十寿辰的时候曾修整此楼。
楼分上下两层,下层正间开着3扇玻璃门,以便观戏。东西北三面都围绕着两层围楼,宫女内侍和外臣赐宴时在侧楼的廊下观戏。
清代帝后多为戏迷,尤其到了清晚期,每逢重大节日,畅音阁都会上演诸如《升平宝筏》这样吉祥题材的连台本戏,届时皇帝坐在阅是楼正中的宝座上,慈禧太后坐东次间,后妃坐西次间。王室们听得津津有味,可对于那些只能席地坐在东西两廊又年老体弱的陪侍大臣来说,看戏可真成了件苦差事。
现在这里是“清宫宫廷戏曲展”的场所。
", "content": "阅是楼位于宁寿宫后区东路,在畅音阁大戏楼的对面(北侧),为清宫的观戏场所。乾隆三十七年(1772年)建,同治十三年(1874年)慈禧四十寿辰的时候曾修整此楼。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1565.jpg", "position": "77.53261242793863,-40.64941406250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236461", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=60&scene_id=3218&scene_name=scene_3218_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": true, "lvl": 3 }, { "id": 246, "name": "玉粹轩", "detail": "玉粹轩位于宁寿宫花园(乾隆花园)第四进院落,西倚宫墙,东与符望阁相望。清乾隆三十七年(1772年)仿建福宫花园凝晖堂而建。
玉粹轩面阔三间,南室称闲室,北室为佛堂。轩有通道可北通竹香馆。室内装修的最大特色是有一副仕女婴戏题材的通景画,画中人物置身暖阁中,家具陈设完全模仿室内实景绘成。
轩前东南侧有一道以彩色石片贴面的短墙,北侧则以游廊东与符望阁相接,将玉粹轩前隔出自成一体的小院。轩南与石山相连,有蹬道可达山顶。
乾隆曾有《玉粹轩》诗句“竹翠常摇籁,墙高因避风”,而如今轩南只见古柏,你是否还能依稀听见那飒飒的竹声呢?
", "content": "玉粹轩位于宁寿宫花园(乾隆花园)第四进院落,西倚宫墙,东与符望阁相望。清乾隆三十七年(1772年)仿建福宫花园凝晖堂而建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1560[1024].jpg", "position": "79.22486827703331,-40.166015625", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236460", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 245, "name": "抑斋", "detail": "在宁寿宫花园(乾隆花园)的东南角,假山背后隐藏着一个小院,小院北部的建筑便是抑斋。抑斋建于清乾隆三十七年(1772年)。室内为一处小佛堂,隔断之上嵌着佛龛。东间有门可暗通养性殿西配殿的佛堂。是静坐养性之处。
抑斋建筑很有特色,只有一间半,既非奇数又非偶数。斋的前后出廊,南门设在东部半间的廊内,前后也不相应,可谓因地制宜、布置灵活。
抑斋与东南角假山上的撷芳亭形成对景,斋西为矩亭,斋北可至露台。
", "content": "在宁寿宫花园(乾隆花园)的东南角,假山背后隐藏着一个小院,小院北部的建筑便是抑斋。抑斋建于清乾隆三十七年(1772年)。室内为一处小佛堂,隔断之上嵌着佛龛。东间有门可暗通养性殿西配殿的佛堂。是静坐养性之处。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1557[1024].jpg", "position": "78.14352561094758,-49.2626953125", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236459", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3619&scene_name=scene_3619_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 244, "name": "颐和轩", "detail": "颐和轩为宁寿宫后区中路建筑之一,南有乐寿堂,北为景祺阁,轩与阁之间有穿廊相连,形成“工”字形殿宇。颐和轩建于乾隆三十七年(1772年),嘉庆七年(1802年)、光绪十七年(1891年)两次重修。
颐和轩颐和轩面阔7间,进深1间,前月台左侧设有日晷。月台接甬路与乐寿堂相通,甬路两侧各设琉璃花池。轩两侧有游廊连接乐寿堂,廊壁镶嵌着敬胜斋帖石刻。
", "content": "颐和轩为宁寿宫后区中路建筑之一,南有乐寿堂,北为景祺阁,轩与阁之间有穿廊相连,形成“工”字形殿宇。颐和轩建于乾隆三十七年(1772年),嘉庆七年(1802年)、光绪十七年(1891年)两次重修。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5eff004189c37.jpg", "position": "78.63000556774836,-36.51855468750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236516", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=62&scene_id=3295&scene_name=scene_3295_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 243, "name": "Hall of Spiritual Cultivation (Yangxing dian)", "detail": "The Hall of Spiritual Cultivation (Yangxing dian) is laid just north of the Hall of Tranquil Longevity (Ningshou gong). Now it has been converted into a gallery of the Treasure Hall, exhibiting ritual objects of the Qing dynasty. Imitating the Hall of Mental Cultivation (Yangxin dian) in the western part of the imperial palace, it was constructed in 1776 during the Qianlong reign (1736-1795) to be his living quarters after his retirement. However, he never moved here. Instead, he often threw banquets in this hall to entertain imperial kinsmen and high-ranking officials. In the late Qing dynasty (1644-1911), the Empress Dowager Cixi lived here with the east chamber as the dinning room.
", "content": "The Hall of Spiritual Cultivation (Yangxing dian) is laid just north of the Hall of Tranquil Longevity (Ningshou gong). Now it has been converted into a gallery of the Treasure Hall, exhibiting ritual objects of the Qing dynasty. ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efeffe2c7b97.jpg", "position": "78.116407975139,-44.40673828125", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236458", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=62&scene_id=3258&scene_name=scene_3258_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 2 }, { "id": 242, "name": "延趣楼", "detail": "穿游于宁寿宫花园(乾隆花园)第三进院落如迷宫般的石山隧洞中,会发现无论是上山的路还是出洞的口,都没有设在西边。这让西侧的延趣楼更像一位外来之客。但其实延趣楼在初建时和北面的萃赏楼一样,都曾有天桥从楼上直通院内石山。清嘉庆二十二年(1817年),天桥被拆去,就成了我们今天看到的样子。
延趣楼分上下两层,连廊面阔5间,进深3间。屋顶以黄色琉璃瓦件饰檐、脊,脊角安走兽5个,檐头绘苏式彩画。最特别的是,延趣楼室内装修多以做工精美的瓷片镶嵌装饰,既朴实淡雅,又不失皇家气度。
乾隆在七绝《延趣楼》中有诗句:“假山真树友忘年,远隔红墙夏飒然。”句下有这样一段小注:“大内皆黄瓦红墙,夏日睹之愈增炎热。惟此间树木繁荫,遮隔红墙,便觉爽趣飒然。”
", "content": "穿游于宁寿宫花园(乾隆花园)第三进院落如迷宫般的石山隧洞中,会发现无论是上山的路还是出洞的口,都没有设在西边。这让西侧的延趣楼更像一位外来之客。但其实延趣楼在初建时和北面的萃赏楼一样,都曾有天桥从楼上直通院内石山。清嘉庆二十二年(1817年),天桥被拆去,就成了我们今天看到的样子。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1549[1024].jpg", "position": "78.9208316247074,-43.8134765625", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236515", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 241, "name": "寻沿书屋", "detail": "寻沿书屋位于宁寿宫区后部东路,是庆寿堂建筑组群的一部分,清乾隆三十七年(1772年)建。
寻沿书屋院内正殿、配殿及垂花门之间以抄手游廊环抱相属,自成天地,营造出有别于庆寿堂其他院落的清雅的建筑氛围。
慈禧太后住乐寿堂时,光绪皇帝每天早上都要到堂中请安,通常先在寻沿书屋坐候,等慈禧起床后,太监前来传呼进见。
", "content": "寻沿书屋位于宁寿宫区后部东路,是庆寿堂建筑组群的一部分,清乾隆三十七年(1772年)建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8370.jpg", "position": "77.73495097544664,-37.68310546875", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236546", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 240, "name": "旭辉庭", "detail": "旭辉庭位于宁寿宫花园(乾隆花园)第一进院落西侧,于清乾隆三十七年(1772年)贴墙随山势而建。
旭辉庭面阔3间,进深1间。由于旭辉庭座西面东,便成为瞭望旭日东升,迎接晨曦到来的极佳观景点,因而得乾隆御笔“旭辉”。旭辉庭与禊赏亭之间有小巧的爬山廊子相连,宛若携手而立的姐妹。
", "content": "旭辉庭位于宁寿宫花园(乾隆花园)第一进院落西侧,于清乾隆三十七年(1772年)贴墙随山势而建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1548[1024].jpg", "position": "78.3227573569693,-48.47167968750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236455", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 239, "name": "撷芳亭", "detail": "撷芳亭位于宁寿宫花园(乾隆花园)第一进院落的东南隅。其北侧为抑斋,抑斋西侧有游廊相接,游廊西延,转而向南,围成小院,自成一体。游廊转角处另建一亭,名矩亭。
撷芳亭为四角攒尖顶,建于石山之上,石山有蹬道,蜿蜒而上可达撷芳亭。建筑高出墙垣,佇立亭中可俯瞰院内外风景。撷芳亭形式简洁,体量适中,又可登临远眺,成为院内重要景观。
", "content": "撷芳亭位于宁寿宫花园(乾隆花园)第一进院落的东南隅。其北侧为抑斋,抑斋西侧有游廊相接,游廊西延,转而向南,围成小院,自成一体。游廊转角处另建一亭,名矩亭。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1983.jpg", "position": "", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236493", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3615&scene_name=scene_3615_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 238, "name": "禊赏亭", "detail": " 禊赏亭位于宁寿宫花园第一进院落西侧,建于清乾隆三十七年(1772年)。亭座西面东,坐落于须弥座平台上,面阔3间,进深3间,前出抱厦,平面呈凸形,三面出歇山式顶,中间为四角攒尖琉璃宝顶,黄琉璃瓦绿剪边,檐下饰以苏式彩画。明间后设黑漆云龙屏门,挡住了亭后的高墙,有延伸花园西进之感。北侧有游廊接旭辉庭。
禊赏亭抱厦内地面凿石为渠,渠长27m,曲廻盘折,取“曲水流觞”之意,称“流杯渠”。渠水来自亭南侧假山后掩蔽的水井,汲水入缸,经假山内暗渠流入渠内。
亭的内外装修均饰竹纹,以象征王羲之兰亭修禊时“茂林修竹”之环境,恰切地烘托了建筑主题。亭前垒砌具有亭园情趣的山石踏步,亭檐下以刻有竹纹的汉白玉栏板围护,渲染了幽雅闲适的意境。
锡庆门是宁寿宫区西南隅的大门,也是联系宁寿宫与紫禁城各处的重要枢纽。门内外均设锯齿形斜面的上下坡道,称为礓磋,以便车舆出入。
锡庆门面朝西,为三座门楼并列的随墙琉璃门,配色考究,工艺精湛。朱红色的门垛正中嵌着黄绿相间的琉璃装饰,称为琉璃盒子,其中雕琢着立体的缠枝西蕃莲纹;门楼上覆黄琉璃瓦顶,其下梁枋、斗拱、椽飞等构件均为琉璃仿木烧制而成,兼具美观与实用功能。琉璃构件的最大的好处是不吸收水分,房顶不会因为雨后吸水而增加重量。
", "content": "锡庆门是宁寿宫区西南隅的大门,也是联系宁寿宫与紫禁城各处的重要枢纽。门内外均设锯齿形斜面的上下坡道,称为礓磋,以便车舆出入。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/17/s5e99830b66756.jpg", "position": "77.2156395545647,-71.58691406250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236479", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=58&scene_id=3210&scene_name=scene_3210_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 236, "name": "遂初堂", "detail": "宁寿宫花园(乾隆花园)的第二进院落是一座整洁的三合院,建于清乾隆三十七年(1772年),正房建筑即为“遂初堂”。东西配以厢房及垂花门,并以游廊连接,形成方方正正的庭院。院内景观仅有石山盆景一座,湖石点景,花木三五,空间通畅,视野开阔,是一处以“敞”为意境的生活空间。
穿过遂初堂的正厅可抵达乾隆花园的第三进院落,从建筑功用上讲,遂初堂既是主体建筑,又是一个承前启后的过厅。
乾隆皇帝曾发愿,若能在位六十年则归政退隐,希望上天可以顺遂初衷,“遂初堂”即得名于此。在重檐森禁的紫禁城中,这所类似寻常民居的小院落反而格外显得隐逸静好,其意境如堂内楹联“屏山镜水皆真宰,萝月松风合静观”。
", "content": "宁寿宫花园(乾隆花园)的第二进院落是一座整洁的三合院,建于清乾隆三十七年(1772年),正房建筑即为“遂初堂”。东西配以厢房及垂花门,并以游廊连接,形成方方正正的庭院。院内景观仅有石山盆景一座,湖石点景,花木三五,空间通畅,视野开阔,是一处以“敞”为意境的生活空间。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1533[1024].jpg", "position": "78.64731965002213,-44.93408203125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236512", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3624&scene_name=scene_3624_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 235, "name": "耸秀亭", "detail": "宁寿宫花园(乾隆花园)的第三进院落,庭院狭小,假山堆叠,山顶高耸一亭,名耸秀亭。
亭子临崖而建,方形尖顶。除檐脊饰黄色琉璃瓦件,其余皆以蓝绿色调装饰。亭内设坐凳栏杆,造型简洁,色彩素雅。这里既是极佳的观景点,又是园内的重要景观。前望,山崖堆叠似层层白云,竹影邀月,松柏生风;下望,一条幽谷岩崖陡立,山路蜿蜒若现。站在院中观亭,春季有绮丽百花掩映,冬季于一片白雪皑皑之上浮现,好一派自然清幽的景象。
", "content": "宁寿宫花园(乾隆花园)的第三进院落,庭院狭小,假山堆叠,山顶高耸一亭,名耸秀亭。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1532[1024].jpg", "position": "78.8360654533353,-42.69287109375001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236457", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 234, "name": "三友轩", "detail": "三友轩位于宁寿宫花园(乾隆花园)第三进院落,座北面南,是一个三开间式的小轩,清乾隆三十九年(1774年)建,巧借地形的屋顶构造形式,为宫中仅有。
轩内以松、竹、梅岁寒三友为装修题材。尤为夺目的是圆形洞门的紫檀落地罩(圆光罩),罩上满刻竹叶花饰,皆以玉片镶嵌,构思巧妙。
三友轩东与乐寿堂隔窗相望,西次间西墙辟窗,以紫檀透雕松、竹、梅纹为窗棂,疏密相间,雕刻精细。透过西窗,可观赏窗外玲珑的假山与翠竹青松。嘉庆皇帝有诗云:“静坐西窗看三友,清点劲节益心身”。
三友轩的装修题材与轩外所种植物相统一,内外呼应,渲染突出了建筑主题。
", "content": "三友轩位于宁寿宫花园(乾隆花园)第三进院落,座北面南,是一个三开间式的小轩,清乾隆三十九年(1774年)建,巧借地形的屋顶构造形式,为宫中仅有。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1528[1024].jpg", "position": "78.64731965002213,-41.96777343750001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236474", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 233, "name": "庆寿堂", "detail": "庆寿堂位于宁寿宫区后部东路,阅是楼之北,是一所由前后4进院构成的南北狭长的院落。清乾隆三十七年(1772年)建,嘉庆七年(1802年)和光绪十七年(1891年)重修。
庆寿堂主入口是一座垂花门,门内第一进院正殿挂着“寻沿书屋”的匾额。第二进院正殿即庆寿堂,第三、四进院的格局与庆寿堂院大体相同。
院内的主要建筑均为水磨砖墙,室内青砖墁地,外檐绘以苏式彩画,风格素静淡雅。屋顶交替使用黄绿两色琉璃,若前院为绿瓦黄剪边,后院则为黄瓦绿剪边,利用简单变化的手法取得丰富的艺术效果。
慈禧居乐寿堂时,常常邀请醇亲王福晋、恭亲王和庆亲王的女儿到宫中陪她娱乐,有时她们在宫中暂居几日,便将这里作为临时寝室。
", "content": "庆寿堂位于宁寿宫区后部东路,阅是楼之北,是一所由前后4进院构成的南北狭长的院落。清乾隆三十七年(1772年)建,嘉庆七年(1802年)和光绪十七年(1891年)重修。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8395.jpg", "position": "77.83258892012455,-36.36474609375001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236539", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 232, "name": "宁寿门", "detail": "宁寿门在皇极门北面,为宁寿宫区的第二道宫门,是乾隆年间建造宁寿宫区时依乾清门制度改建。
宁寿门为殿宇式宫门,座落于汉白玉石台基上。门两侧山墙接八字影壁,门内设高台甬路与皇极殿相连。
宁寿门门前左右各放置着一个鎏金铜狮,也是乾隆皇帝特令造办处仿乾清宫门前的狮子式样制作的,以显示“太上皇”所居宁寿宫的重要地位。
慈禧太后六十大寿时在这里举行庆典,曾将宁寿门的金龙和玺彩画改为苏式彩画,现恢复为乾隆时期风格。
", "content": "宁寿门在皇极门北面,为宁寿宫区的第二道宫门,是乾隆年间建造宁寿宫区时依乾清门制度改建。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1628[1024].jpg", "position": "76.9007089258869,-60.88623046875001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236520", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=57&scene_id=3181&scene_name=scene_3181_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 231, "name": "倦勤斋戏台", "detail": "宁寿宫倦勤斋戏台为室内亭式小戏台,斋内天花及墙壁满裱彩画的藤萝架,画中斑竹篱笆与戏台仿竹篱笆和谐地连接,好似真的置于藤萝架下,极尽巧思,美观别致。
倦勤斋戏台是对漱芳斋室内“风雅存”戏台的改进,但室内后台狭窄,并没有可化妆的地方,通常是由习艺太监唱些御制腔、太平词、岔曲这样的小戏。在戏台前还有一个小台,是为了表演杂耍戏法时让皇帝看得更真切而做。
", "content": "宁寿宫倦勤斋戏台为室内亭式小戏台,斋内天花及墙壁满裱彩画的藤萝架,画中斑竹篱笆与戏台仿竹篱笆和谐地连接,好似真的置于藤萝架下,极尽巧思,美观别致", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2017/04/26/s58ffed5fbe30a.jpg", "position": "79.27405177536686,-35.52978515625001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236559", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"/ency_yuanxiao", "event": false, "lvl": 0 }, { "id": 230, "name": "景祺阁戏台", "detail": "宁寿宫景祺阁戏台为室内小戏台。平面呈“凹形”,背景为通景画绘廊柱和婴戏图案,透视感极强。除上下场门外,台前正面也有两个门,以作通道之用。 慈禧居乐寿堂时,晚宴后常命太监在此演戏,有时甚至不必化妆。
", "content": "宁寿宫景祺阁戏台为室内小戏台。平面呈“凹形”,背景为通景画绘廊柱和婴戏图案,透视感极强。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/52052.jpg", "position": "78.71201602206447,-34.56298828125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236564", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 229, "name": "The Garden of the Palace of Tranquil Longevity (Ningshou gong)", "detail": "This garden lies along the western route of the rear area of the Palace of Tranquil Longevity. Between 1772 and 1776 during Emperor Qianlong’s reign (1735-1796), when the palace was under reconstruction, a garden was built on a narrow plot stretching 160 meters from north to south and 40 meters from east to west in this western area, intended for Emperor Qianlong’s leisure after his retirement. Thus, it is also known as the Qianlong Garden.
The garden comprises over 20 structures, divided into four interconnected courtyards from north to south, each with a unique layout.
The garden boasts a refined layout, with rocks, trees, and buildings arranged in an orderly manner. Roofs vary in style and color—yellow, green, blue, purple, and turquoise—while the Suzhou-style caihua (decorative paintings) embellishes the beams and girders. The central axis shifts slightly to the east in the rear half of the garden. This garden, blending the elegance of private gardens and the grandeur of imperial gardens, is a quintessential masterpiece of mid-Qing gardening and decorative art.
宁寿宫位于宁寿宫区,原为宁寿宫后殿,清康熙年修葺明代旧殿后做为奉养太后的地方。乾隆四十一年(1776年)仿坤宁宫形式重建后,将前殿皇极殿的“宁寿宫”匾额移于此处,成为单体建筑。
宁寿宫的台基与其南侧的皇极殿相接,四周以黄绿琉璃砖围砌透风灯笼矮墙,面阔7间,进深3间,单檐歇山式顶。
乾隆皇帝准备日后做太上皇时在此宫祭神,因此殿内设有萨满教神位及跳神用法器和煮肉锅灶等,是紫禁城内除坤宁宫以外的另一处体现满族风俗的重要建筑。乾隆帝八十寿典、嘉庆帝五十寿典,曾在此赐宴皇子、王公大臣。
宁寿宫的彩画原为龙凤和玺彩画。光绪年间,慈禧太后曾一度住在宁寿宫,将外檐围廊改为“延年益寿”、“海屋添筹”题材的苏式彩画,失去了庄严的风格。1979年重修时恢复了乾隆时期的风貌。
", "content": "宁寿宫位于宁寿宫区,原为宁寿宫后殿,清康熙年修葺明代旧殿后做为奉养太后的地方。乾隆四十一年(1776年)仿坤宁宫形式重建后,将前殿皇极殿的“宁寿宫”匾额移于此处,成为单体建筑。南、北十三排指宁寿宫区外东侧南、北各13座排房,东依紫禁城城墙,为乾隆年间所建。
其中12座南北相向,各面阔3间,进深1间,前出廊。每两座为1院,共6院。每院西墙辟院门。北端1座有小南房两间。南端南墙中辟垂花门,门外南临敛禧门。
露台亦称仙台,位于宁寿宫花园(乾隆花园)第一进院东侧。清乾隆三十七年(1772年)建。仙台座落于太湖石堆砌的假山之上,面积为7平方米,以白石栏杆相围,是院内的最高点,俯首观望,风光无限。
露台外顺山北下可至石洞。洞的正面与南面各有洞门,正面为朱扉金钉宫门,南为朱漆板门。洞内有佛龛座北面南,东壁上嵌有石刻的乾隆皇帝御书经文,冬日的阳光经南门上的半圆形木雕透窗可直射在经文上,字迹清晰可见。而洞窗之外,湖石层层叠叠,形如犬牙。一面山石巧拙相生,十分得趣。
", "content": "露台亦称仙台,位于宁寿宫花园(乾隆花园)第一进院东侧。清乾隆三十七年(1772年)建。仙台座落于太湖石堆砌的假山之上,面积为7平方米,以白石栏杆相围,是院内的最高点,俯首观望,风光无限。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1518[1024].jpg", "position": "78.22002810013534,-49.21875000000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236469", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 225, "name": "乐寿堂", "detail": "乐寿堂在宁寿宫区中路,位于养性殿之北,清乾隆四十一年(1776年)仿长春园淳化轩规制建成,乾隆皇帝预备将此处作为他退位后的寝宫。“乐寿”即安乐长寿之意。光绪十七年(1891年)重修。
乐寿堂面阔7间,进深3间,地面至天花高达9米。匠师们巧妙将其分成上下两层,相互贯通,灵活多变。室内利用门、窗、花罩、纱橱营造了众多虚实各异的空间:封闭式的可作寝居,开放式的可作礼仪活动,而那些充实静谧的小房间就特别适合看书作画。
堂内装修式样风格统一,多用楠木包以紫檀、花梨等贵重木材,间以玉石、珐琅饰件,天花亦为木雕。乾隆五十二年(1787年),室内北厅中央陈设大禹治水图玉山,至今未变。此为故宫所藏最巨大的玉雕。庭院东西廊壁上嵌石刻,是乾隆皇帝在建福宫花园的敬胜斋临写的法书名帖与经典语录的墨迹。徜徉其中总伴有素雅书香。清末,慈禧太后六十寿典后,以乐寿堂西暖阁为寝室。
乐寿堂代表了乾隆朝装修技术和艺术的最高水平。现此处辟为珍宝馆展厅。
", "content": "乐寿堂在宁寿宫区中路,位于养性殿之北,清乾隆四十一年(1776年)仿长春园淳化轩规制建成,乾隆皇帝预备将此处作为他退位后的寝宫。“乐寿”即安乐长寿之意。光绪十七年(1891年)重修。79", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efef691e9e52.jpg", "position": "78.30495507232303,-40.64941406250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236470", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=62&scene_id=3256&scene_name=scene_3256_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 224, "name": "倦勤斋", "detail": "倦勤斋位于宁寿宫花园(乾隆花园)最北端,清乾隆三十七年(1772年)仿建福宫花园中的敬胜斋而建。斋名取“耄期倦于勤”之意,意谓年老厌倦万机,以示此斋为乾隆皇帝为做太上皇而备的憇息之所。
倦勤斋面阔九间,由东五间(明殿)和西四间(戏院)两部分组成。东五间与符望阁相对,东西各接游廊,分别与符望阁游廊相接,构成一个封闭的院落。东五间为上下两层凹字形仙楼,以纱橱隔为小室数间,设宝座床多处。室内装修大量使用精美的竹丝镶嵌、双面绣,以及玉雕和木雕艺术,令人叹为观止。当中尤值一提的是,上下两层的槛墙分别贴雕竹黄,纹饰内容为人物、山水,花鸟、书法等。紫禁城建筑内装修使用竹黄,仅此一处。
东五间有通道与西四间连通。室内有一个木仿斑竹搭成的小戏台,据说乾隆非常喜爱在此听“岔曲”。而最引人瞩目的则是西、北两壁和顶棚近170平方米的通景画。宫廷洋画师郎世宁、王幼学巧妙借鉴了西方绘画的透视原理,使画面中的庭院、斑竹纹篱、楼阁建筑、近处的白鹤与喜鹊、远处的山石与树木等景色与室内装修融为一体;顶棚画竹架藤萝的海墁天花,花朵形状依照距离远近而不同,从某个角度看去,那些藤花似乎真是朵朵下垂的样子。整幅通景画使人恍若置身于天然美景中。倦勤斋是紫禁城内檐装修的登峰造极之作。
斋前由东西两段游廊隔成一个方整幽雅的庭院,院中古柏耸立,有十字方砖甬路,可以行进。西四间前一弧形院墙,中开八方门,通往竹香馆。
", "content": "倦勤斋位于宁寿宫花园(乾隆花园)最北端,清乾隆三十七年(1772年)仿建福宫花园中的敬胜斋而建。斋名取“耄期倦于勤”之意,意谓年老厌倦万机,以示此斋为乾隆皇帝为做太上皇而备的憇息之所。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efef5a7854be.jpg", "position": "79.3270835399221,-35.20019531250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236478", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3630&scene_name=scene_3630_summer", "link_exhibition": "", "link_media": "/audiovisualdetail?i=7", "link_game": "", "link_album":"/ency_science", "event": false, "lvl": 0 }, { "id": 223, "name": "矩亭", "detail": "矩亭位于外东路宁寿宫花园(乾隆花园)第一进院,清乾隆三十七年(1772年)建。亭为方形,座西朝东。矩亭南、北、东三面接游廊,向南可通衍祺门,向北可达露台,向东可到抑斋。
亭内悬挂着乾隆皇帝御笔“矩亭”匾。这座规矩方正不饰浮华的亭子,顶部有着紫禁城内独一无二的编织纹天花。
", "content": "矩亭位于外东路宁寿宫花园(乾隆花园)第一进院,清乾隆三十七年(1772年)建。亭为方形,座西朝东。矩亭南、北、东三面接游廊,向南可通衍祺门,向北可达露台,向东可到抑斋。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1513[1024].jpg", "position": "78.14352561094758,-49.79003906250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236510", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 222, "name": "Glazed-tile Nine-dragon Screen (Liuli jiulong bi)", "detail": "Built in 1772, the porcelain screen, 3.5 metres high and 29.4 metres wide,stands in the big courtyard outside the Gate of Imeprial Supremacy (Huangji men). It is decorated with nine coiling dragons in various positions playing pearl among waves and clouds. On the Top of it is a hipped roof with one horizontal and four sloping ridges of glazed tiles,and at the lower part is a marble sumeru dais.
", "content": "Built in 1772, the porcelain screen, 3.5 metres high and 29.4 metres wide,stands in the big courtyard outside the Gate of Imeprial Supremacy (Huangji men). It is decorated with nine coiling dragons in various positions playing pearl among waves and clouds. ", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efef494ae066.jpg", "position": "76.15347945648796,-68.42285156250001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236477", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=56&scene_id=3177&scene_name=scene_3177_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 2 }, { "id": 221, "name": "景祺阁", "detail": "景祺阁位于宁寿宫中路北端,清乾隆三十六年(1771年)建。建筑为二层楼阁式,面阔7间,进深3间,室内西次间设小戏台,西梢间辟小门与阁后小院相通;东次间内以槅扇分成小室数间,东梢间有楼梯通二层。檐下原为金龙和玺彩画,光绪十七年(1891年)修缮时为迎合慈禧太后的喜好改为苏式彩画,现已恢复为乾隆时期原貌。
景祺阁前西侧小院内有回廊与宁寿宫花园(乾隆花园)符望阁相通,东侧有敞厅3间,与景福宫相邻。紧贴景祺阁东侧有假山一座,山顶平台与景祺阁二层之间飞架汉白玉小石桥一座,山下有洞名曰“云窦”。景祺阁后小院内有房屋遗址,清末珍妃曾幽禁于此,小院西墙外即为珍妃井。
", "content": "景祺阁位于宁寿宫中路北端,清乾隆三十六年(1771年)建。建筑为二层楼阁式,面阔7间,进深3间,室内西次间设小戏台,西梢间辟小门与阁后小院相通;东次间内以槅扇分成小室数间,东梢间有楼梯通二层。檐下原为金龙和玺彩画,光绪十七年(1891年)修缮时为迎合慈禧太后的喜好改为苏式彩画,现已恢复为乾隆时期原貌。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/4750[1024].jpg", "position": "78.82755369878639,-33.85986328125001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236480", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=62&scene_id=3288&scene_name=scene_3288_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 220, "name": "皇极门", "detail": " 皇极门是内廷外东路宁寿宫区之正门,建于清乾隆三十六年(1771年)。
皇极门前有东西狭长的小广场,其西侧为锡庆门,西出不远即景运门,东侧为敛禧门,东出即南北十三排,正南为皇极门前的琉璃影壁――九龙壁。
皇极门北与宁寿门相对,过宁寿门为皇极殿,皇极殿后是宁寿宫,这种门殿交错的独特布局是清乾隆年间改建宁寿宫时形成的。宁寿宫建于清康熙二十八年(1689年),原为工字殿。乾隆三十六年(1771年)将其前殿改建为皇极殿,原有匾额移至后殿,遂改称后殿为“宁寿宫”,并在宁寿宫区最南端添建皇极门。
皇极门南向,为随墙琉璃门3座,坐落于汉白玉须弥座上。3座门洞皆为券顶,上覆门楼,黄琉璃瓦单檐庑殿顶,五踩单翘单昂斗拱,枋、椽、斗拱等构件皆为琉璃烧制。正中门楼略高,称正楼,两侧稍低,称次楼。主楼与次楼的夹空处用规格略小的琉璃仿木构件做成略低于次楼的门楼,称夹楼,黄琉璃瓦悬山顶,三踩单昂斗拱。两次楼的外侧同样镶砌两座小型门楼,称边楼,琉璃瓦顶内侧为悬山式,外侧为庑殿式。主楼、夹楼、次楼、边楼高低错落,气势恢宏。每座门楼两侧皆有黄琉璃垂莲柱,并向内挑出卷草纹斗拱雀替,故皇极门亦称“三间七楼垂花门式牌楼门”。
皇极门形制独特,制作精美,兼有门的形式与壁的特色,恰到好处地承转了南面九龙壁和北面宁寿门的建筑风格,堪称紫禁城内琉璃门之冠。
皇极殿为宁寿宫区的主体建筑,始建于清康熙二十八年(1689年),初名宁寿宫。乾隆三十七年(1772年)至四十一年(1776年)改建宁寿宫一区建筑时,将宁寿宫改称为皇极殿,作为乾隆皇帝归政后临朝受贺之所。
皇极殿位于宁寿宫区中轴线前部,与后殿宁寿宫前后排列于单层石台基之上。殿坐北朝南,面阔9间,进深5间,取帝尊九五之制。黄琉璃瓦重檐庑殿顶,前檐出廊,枋下浑金雕龙雀替。明间,左、右次间设殿门,余各次间下砌槛墙。后檐明、次间辟为殿后门,可达宁寿宫,余各间砌墙。殿中四根沥粉贴金蟠龙柱,顶置八角浑金蟠龙藻井,下设宝座,品级仅次于太和殿。殿内左置铜壶滴漏,右置大自鸣钟,制作考究。
殿建于青白石须弥座上,前出月台。御路与甬道相接,直贯宁寿门,四周通饰汉白玉石栏板。月台左右及甬道两侧各设台阶。殿两侧为垂花门、看墙,分别与东、西庑房相接,将院落隔为前后两进。庑中开门,东为凝祺门,西为昌泽门。
皇极殿丹陛左右分置日晷、嘉量,是体现皇权的重要陈设。御道两侧各有六方须弥座一个,座上置重檐六角亭,亭身每面镌篆体寿字各三。石座中心有铸铁胆,每年腊月二十三至正月十五日,则改立灯杆于其中,是古代多用途基座实例,今仅存其座。另外,乾隆三十八年(1773年)曾成造并安设铜龟、铜鹤各一对,鼎炉两对,今皆不存。
皇极殿为仿乾清宫制度改造。嘉庆元年(1796年)新正,传位授宝典后,太上皇乾隆帝于此举行“千叟宴”,宴请90岁以上老人,时入宴群臣、耆老及并未入座者达五千余人。嘉庆七年(1805年)、光绪十年(1884年)先后修葺。光绪二十年(1894年)在皇极殿行慈禧六十寿辰贺礼。光绪三十年(1904年)西太后七十岁生日前后,在此分别接见奥、美等9国使臣。慈禧死后,曾在此停灵、治丧。
皇极殿彩画原为金龙和玺彩画,慈禧太后六十寿辰在此祝寿,将外檐改为枋心苏式彩画。1979年重新修缮后,恢复了乾隆时期的风貌。
古华轩是宁寿宫花园(乾隆花园)第一进院落的主体建筑。建于乾隆三十七年(1772年)。轩为敞轩,座北面南,正面悬挂乾隆帝御笔“古华轩”木匾。轩内有木雕花罩界分内外,轩外有古楸佳木掩映成趣,是园中最有“江南山林风光”韵味的所在。
古华轩的装修古朴素雅,尤以轩内天花别具一格。摈弃灿烂夺目的彩绘贴金,采用卷草花卉图案的楠木贴雕,由于图案凸起于天花板之上,在光影变化中会产生很强的立体感,艺术韵味和装饰效果独具一格。
古华轩倚门前的百年古楸树而建,亦得名于此。春夏之交,丰茂的树冠开满白紫相间的花朵,冬季树叶凋零,飞雪装点满树银花,兼具四时情趣。乾隆有诗云“明月清风无尽藏,长楸古柏是佳朋”。
淌露出帝王的淡然归隐之情,是一处令人忘记世俗,独自逍遥的场所。
", "content": "古华轩是宁寿宫花园(乾隆花园)第一进院落的主体建筑。建于乾隆三十七年(1772年)。轩为敞轩,座北面南,正面悬挂乾隆帝御笔“古华轩”木匾。轩内有木雕花罩界分内外,轩外有古楸佳木掩映成趣,是园中最有“江南山林风光”韵味的所在。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2017/04/26/s58ffed5fb9342.jpg", "position": "78.34497263793179,-49.21875000000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236431", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=71&scene_id=3601&scene_name=scene_3601_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 217, "name": "符望阁", "detail": "符望阁雄踞于宁寿宫花园(乾隆花园)北部,是第四进院落的主体建筑,清乾隆三十七年(1772年)建,光绪十七年(1891年)重修。
在形制上,符望阁模仿建福宫花园的延春阁,平面呈方形,外观两层,内实三层,四角攒尖顶。阁内空间分隔复杂精妙,各类落地罩、槅扇门窗、板墙等纵横间隔成很多房间,且多有夹层,穿门越槛之际,往往迷失方向,故有“迷楼”之称。室内装修琳琅满目,美不胜收,多以金、玉、珐琅等镶嵌装饰。
乾隆年间,每年腊月二十一日,皇帝会在此地赏饭给王公大臣。嘉庆皇帝也曾登临此阁,并有《咏符望阁》之诗咏。
符望阁是宁寿宫花园最高的建筑,巧用一个“望”字:北有景山诸景,西有琼岛湖光,南有禁城殿阁,正如阁内楹联所形容的:“居中揽外襟怀畅”,“近景遐观揽莫遗”。整个宁寿宫花园的意境和布局都在此达到了高潮。
", "content": "符望阁雄踞于宁寿宫花园(乾隆花园)北部,是第四进院落的主体建筑,清乾隆三十七年(1772年)建,光绪十七年(1891年)重修。", "largeImage": "https://www.dpm.org.cn/explore/building/236495", "position": "79.24948782207157,-38.54003906250001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236495", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 216, "name": "佛日楼", "detail": "景福宫的西侧是佛日楼庭院,由三个南北排列的方型小院组成,透过两个月亮门向内望,假山奇石、绿荫满布,十分深邃。然而跨入第三进院子,佛日楼迎面而立。原来小院进深不过50米,却巧用连接三院的月亮门造出视觉差。
佛日楼仿建福宫花园中的慧曜楼而建,北依宁寿宫区的北宫墙,东有石梯与梵华楼相连。楼为两层,上下各三间。
佛日楼一层间隔成数室,供奉藏传佛教五大密教主尊、五方佛和释迦牟尼佛。二层供奉三世佛、十八罗汉和四大天王,北、东、西三壁设长供案,供奉着无量寿佛小铜像378尊。
", "content": "景福宫的西侧是佛日楼庭院,由三个南北排列的方型小院组成,透过两个月亮门向内望,假山奇石、绿荫满布,十分深邃。然而跨入第三进院子,佛日楼迎面而立。原来小院进深不过50米,却巧用连接三院的月亮门造出视觉差。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/8218[1024].jpg", "position": "78.5996431995155,-30.234375000000004", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236573", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 215, "name": "梵华楼", "detail": "梵华楼位于宁寿宫区最北端偏东,建于清乾隆三十七年(1772年),嘉庆二十三年(1818年)重修。梵华楼的建筑、陈设形制为清宫佛堂中的一种典型模式“六品佛楼”,其特征是建筑为7开间二层楼,楼内按藏传佛教显宗与密宗四部供奉佛像、唐卡、供器。六品即显宗部加密宗四部,其中的无上瑜伽部又分为两部,合计六品。
梵华楼至今仍为原状陈设:楼下正间有一尊高210厘米的旃檀佛铜像。东西3室分别供奉着建于乾隆三十九年(1774年)的6座豪华精美的掐丝珐琅大佛塔。塔周围三面墙挂着通壁的大幅唐卡,画护法神54尊。各室中央均为天井,直通二层,珐琅塔顶正在天井中央。二层绕天井设紫檀木围栏,东西壁为紫檀木千佛龛,供122尊小铜像。6室供佛合计786尊。二层正间供奉着木雕金漆的格鲁派创始人宗喀巴像。
梵华楼体现出藏传佛教格鲁派显宗密宗双修的修持特色。楼中所供诸佛菩萨及护法的各种形象,是研究藏传佛教造像的珍贵材料。
", "content": "梵华楼位于宁寿宫区最北端偏东,建于清乾隆三十七年(1772年),嘉庆二十三年(1818年)重修。梵华楼的建筑、陈设形制为清宫佛堂中的一种典型模式“六品佛楼”,其特征是建筑为7开间二层楼,楼内按藏传佛教显宗与密宗四部供奉佛像、唐卡、供器。六品即显宗部加密宗四部,其中的无上瑜伽部又分为两部,合计六品。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efeecf846027.jpg", "position": "78.34053291852432,-28.520507812500004", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236572", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 214, "name": "萃赏楼", "detail": "萃赏楼位于宁寿宫花园(乾隆花园)第三进院落。建于清乾隆三十七年(1772年)。
萃赏楼坐北朝南,上下两层,各面阔5间。门窗槅心用“步步锦”,这是紫禁城文娱类建筑的一种常用窗棂图案,由横竖棂条拼接组合成一个个长方形,富有几何规则又一步步变化。
萃赏楼周围以危崖山景为主。造园大师巧妙地在萃赏楼后安排了上下两层立体交通道路。下层依山而行,险峻幽深,直通符望阁前庭;上层正对萃赏楼凌空架起一座白石小桥与后山主峰上的碧螺亭相通,凭栏俯视如临涧边。楼西有小廊,沿廊西行,通过另一飞虹小桥,登上山屏西峰,也可蜿蜒至符望阁,山路崎岖园景满目,各具情趣。
", "content": "萃赏楼位于宁寿宫花园(乾隆花园)第三进院落。建于清乾隆三十七年(1772年)。", "largeImage": "", "position": "78.86156232056146,-40.80322265625001", "hidden": true, "link_detail": "", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 213, "name": "Belvedere of Pleasant Sounds (Changyin ge)", "detail": "The Belvedere of Pleasant Sounds (Changyin ge) is the largest opera theatre in the Forbidden City. Now the whole courtyard where it stands is reserved for the Opera Gallery in which the exhibition Opera at the Qing Court is on display all year round. Here costumes, masks, playbills, stage properties, and old photos comprise a colorful display, with classical arias of traditional Chinese opera by famous singers broadcast.
The Belvedere consists of three floors. From the top to the bottom, they are named "Fortune (fu)", "Wealth" (lu), and "Longevity"(shou). At the ground floor, five ground tunnels leading to the basement and three skylights piercing the "Wealth" floor. Pulleys are installed near or under these equipment, by which actors and actresses could ascend and descend freely as angels or ghosts during the opera. The Belvedere could hold a thousand people. When a full-length opera was on, actors and actresses occupied all these three floors. Opposite to the Belvedere of Pleasant Sounds is the Hall for Viewing Opera (Yueshi lou) where owners of the Forbidden City enjoyed the performance.
紫禁城里的亭台不少,但最为精巧的要数宁寿宫花园(乾隆花园)的碧螺亭。它坐落在符望阁前的叠山主峰之上,建于清乾隆三十七年(1772年)。
自符望阁上俯望,只见蓝绿色双重圆亭檐,加上竹节瓦纵向的纹路,很像一只“碧螺”趴伏在假山上,具有极佳的观景点景的效果。碧螺亭又有“碧螺梅花亭”的雅号,走近碧螺亭,五柱五脊,重檐尖顶,整个亭子平面恰似一朵五瓣梅花。各建筑构件亦用透雕、贴雕、点金加彩等工艺装饰着梅花图案,造型新颖,结构绮丽。
碧螺亭顶也仿梅花做成5个坡面,细看琉璃用色华而不俗,上层为翡翠绿,下层覆孔雀蓝,上下层又以紫晶色琉璃瓦剪边,统一中富于变化。亭的宝鼎装饰着蓝底白花冰震梅枝,又以翡翠色仰莲纹的明黄琉璃束腰,十分清新悦目。
", "content": "紫禁城里的亭台不少,但最为精巧的要数宁寿宫花园(乾隆花园)的碧螺亭。它坐落在符望阁前的叠山主峰之上,建于清乾隆三十七年(1772年)。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/1441[1024].jpg", "position": "79.0007706589623,-40.07812500000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236435", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 211, "name": "Palace of Accumulated Purity (Zhongcui gong)", "detail": " 钟粹宫,内廷东六宫之一。明永乐十八年(1420年)建成,初曰咸阳宫,明嘉靖十四年(1535年)更名钟粹宫,隆庆五年(1571年)改钟粹宫前殿曰兴龙殿,后殿曰圣哲殿,为皇太子居处,后复称钟粹宫。清代沿用明朝旧称,于顺治十二年(1655年)重修,后于道光十一年(1831年)、同治十三年(1874年)、光绪十六年(1890年)、光绪二十三年(1897年)多次修葺。清晚期于宫门内添加垂花门、游廊等。
宫为二进院,正门南向,名钟粹门,前院正殿即钟粹宫,面阔5间,黄琉璃瓦歇山式顶,前出廊,檐脊安放走兽5个,檐下施以单翘单昂五跴斗拱,彩绘苏式彩画。明间开门,次、梢间为槛窗,冰裂纹、步步锦门窗。室内原为彻上明造,后加天花顶棚,方砖墁地,明间内悬乾隆御题“淑慎温和”匾。殿前有东西配殿各3间,前出廊,明间开门,黄琉璃瓦硬山式顶,檐下饰苏式彩画。
后院正殿5间,明间开门,黄琉璃瓦硬山式顶,檐下饰苏式彩画,两侧有耳房。东西有配殿各3间,均为明间开门,黄琉璃瓦硬山式顶。院内西南角有井亭1座。
钟粹宫明代为妃嫔所居,曾一度为皇太子宫。清代为后妃居所。清咸丰皇帝奕詝幼年在此居住时,道光皇贵妃,即恭亲王奕訢之母亦居此宫,代为抚育奕詝。咸丰帝孝贞显皇后自入宫即在钟粹宫居住,直至光绪七年(1881年)去世。光绪大婚后,隆裕皇后也曾在此居住。
现在常年在此进行故宫藏玉器类文物的展示。
This hall was constructed in 1731 during the Qing dynasty. Two days before the Emperor offered a sacrifice to Heaven at the Temple of Heaven or to the earth at the Altar of the Earth, he would fast at the this hall for one day and then go to the Hall of Abstinence at the Temple of Heaven or Altar of the Earth to fast for another day. During the fast, he did not drink wine, or eat onions, chives or garlic.The eastern chamber in the hall displayed poems written by officials in praise of the solemn ceremonies held here.
", "content": "This hall was constructed in 1731 during the Qing dynasty. Two days before the Emperor offered a sacrifice to Heaven at the Temple of Heaven or to the earth at the Altar of the Earth, he would fast at the this hall for one day and then go to the Hall of Abstinence at the Temple of Heaven or Altar of the Earth to fast for another day.", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/16/s5e98392602dde.jpg", "position": "79.61613848377318,-68.73046875000001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236463", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=46&scene_id=2939&scene_name=scene_2939_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 209, "name": "Palace for Nurturing Joy (Yuqing gong)", "detail": " 毓庆宫位于内廷东路奉先殿与斋宫之间,系清康熙十八年(1679年)在明代奉慈殿基址上修建而成。乾隆五十九年(1794年)添建大殿1座并游廊、抱厦,嘉庆六年(1801年)继续扩建,光绪十六年(1890年)和二十三年(1897年)加以修缮。
毓庆宫是由长方形院落组成的建筑群,前后共四进。正门前星门,门内为第一进院落,有值房3座,西墙开阳曜门与斋宫相通。过院北祥旭门为第二进院落,正殿惇本殿,东西配殿各3间。
第三进院东西两侧各有围房20间,直抵第四进院,正殿即毓庆宫,建筑为工字殿。前殿面阔5间,进深3间,黄琉璃瓦歇山顶,前檐明间开门,次间、梢间为槛窗,后檐明间接穿廊与后殿相通。穿廊面阔1间,进深3间,东西两侧均为槛窗。后殿面阔5间,进深3间,黄琉璃瓦歇山顶,前檐明间与穿堂相通,廊檐安小板门,次间、梢间为槛窗,后檐均为槛窗。后殿室内明间悬匾曰“继德堂”,西次间为毓庆宫之藏书室,嘉庆皇帝赐名“宛委别藏”,东山墙接悬山顶耳房1间与东围房相通。东耳房内悬嘉庆皇帝御笔匾曰“味余书室”,其东侧围房内“知不足斋”匾亦为嘉庆皇帝御笔。毓庆宫内装修极为考究,尤其是后殿内以隔断分成小室数间,其门或真或假,构思精妙,素有“小迷宫”之称。
最后一进院内有后罩房,面阔5间,进深3间,黄琉璃瓦悬山顶,前檐出廊,明间开门,次间、梢间为槛窗,东西两侧有耳房,与东西庑房转角相接。
毓庆宫是康熙年间特为皇太子允礽所建,后作为皇子居所。乾隆皇帝12岁到17岁间一直居于此宫。嘉庆皇帝5岁时曾与兄弟子侄等人居于此宫,后迁往撷芳殿,乾隆六十年(1795年)即位后又迁回毓庆宫。同治、光绪两朝,此宫均作为皇帝读书处,光绪皇帝曾在此居住。
永和宫,内廷东六宫之一,位于承乾宫之东、景阳宫之南。明永乐十八年(1420年)建成,初名永安宫,嘉靖十四年(1535年)更今名。清沿明旧,于康熙二十五年(1686年)重修,乾隆三十年(1765年)亦有修缮,光绪十六年(1890年)重修。明代为妃嫔所居,清代为后妃所居。清康熙帝孝恭仁皇后久居此宫。其后,道光帝静贵妃,咸丰帝丽贵人、斑贵人、鑫常在等先后在此居住。光绪大婚后为瑾妃居所。
宫为二进院,正门南向,名永和门,前院正殿即永和宫,面阔5间,前接抱厦3间,黄琉璃瓦歇山式顶,檐角安走兽5个,檐下施以单翘单昂五跴斗栱,绘龙凤和玺彩画。明间开门,次、梢间皆为槛墙,上安支窗。正间室内悬乾隆御题“仪昭淑慎”匾,吊白樘箅子顶棚,方砖墁地。东西有配殿各3间,明间开门,黄琉璃瓦硬山式顶,檐下饰旋子彩画。东西配殿的北侧皆为耳房,各3间。
后院正殿曰同顺斋,面阔5间,黄琉璃瓦硬山式顶,明间开门,双交四椀槅扇门4扇,中间两扇外置风门,次间、梢间槛墙,步步锦支窗,下为大玻璃方窗,两侧有耳房。东西有配殿各3间,明间开门,黄琉璃瓦硬山式顶,檐下饰以旋子彩画。院西南角有井亭1座。此宫保持明初始建时的格局。
延禧宫为内廷东六宫之一,初建于明永乐年间,名长寿宫。明嘉靖十四年(1535年)更名延祺宫,清代改名延禧宫。“延禧”意为迎福请喜之意。康熙二十五年(1686年)重修。明清两朝这里均为妃嫔居所。
现在走进延禧宫,看到的是一副有点西洋风格的钢筋水泥建筑框架,这是后来俗称为“水晶宫”的遗迹。 道光二十五年(1845年),延禧宫失火,除宫门外全部焚毁。宣统元年(1909年),在瑾贵妃的建议下,延禧宫废址上修建起一座三层的西洋式水殿。构架均为铁铸,墙壁和一层地板全用玻璃砖建造,墙的夹层中可蓄水观鱼,荷藻参差,青翠如画,恍如一座“水晶宫”。水殿四周浚池,引玉泉山水环绕。隆裕太后题匾额曰“灵沼轩”,还特地给这里装上了电暖炉、电风扇和电灯。辛亥革命爆发后,清帝逊位,这座尚未完工的皇家独特建筑也终因财力匮乏而停建了。
1917年张勋复辟时,延禧宫北部被直系部队飞机投弹炸毁。故宫博物院成立后,1931年6月在此修建了新型文物库房。2005年库房的东配楼辟为古书画研究中心,西配楼辟为陶瓷研究中心,中楼内建立了古陶瓷检测研究实验室。
", "content": "延禧宫为内廷东六宫之一,初建于明永乐年间,名长寿宫。明嘉靖十四年(1535年)更名延祺宫,清代改名延禧宫。“延禧”意为迎福请喜之意。康熙二十五年(1686年)重修。明清两朝这里均为妃嫔居所。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/07/03/s5efefedcac36c.jpg", "position": "79.4645597688895,-57.83203125000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236535", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=48&scene_id=2957&scene_name=scene_2957_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 2 }, { "id": 206, "name": "天穹宝殿", "detail": "天穹宝殿初名玄穹宝殿,西邻景阳宫,始建于明代,清顺治时改建,后为避康熙皇帝的名字“玄烨”讳,改名为天穹宝殿。此院落为长方形,正殿坐北朝南,面阔5间。这里是宫中道教场所,并与钦安殿、大高玄殿同为贮藏道经的地方。
殿内曾供奉一尊手持玉圭的金胎玉帝像,另有吕祖、太乙天尊等神仙像。每年,天穹宝殿都会举办天腊道场(正月初一)、天诞道场(正月初九)、万寿平安道场(皇帝生辰)等活动。这里平时由景阳宫太监负责洒扫。清代同治皇帝、光绪皇帝曾到此拈香祈雪、祈晴。
乾东五所西临御花园,由并列的五所建筑组成,因其位在东六宫之北,所以也称“北五所”。 每所均有南北三进院落,始建于明初,与内廷西路乾西五所对称。
乾东五所从西至东分别称头所、二所、三所、四所和五所。清初,为皇子居所。乾隆三十年(1765年)前后,这里成为了五个服务于内廷的机构办事处,自西向东分别为:宫廷画师绘画之处的“如意馆”、 负责制药和煎药的“寿药房” 、管理太监最高办事机构的“敬事房”、收储皇帝冠袍带履的“四执库” 收储古玩器皿的“古董房”。
乾隆三十九年(1774年),皇帝谕旨将头所、二所修缮见新,供皇十五子(即嘉庆皇帝)成婚后居住。一年后皇十五子移居撷芳殿,头所、二所仍作为皇子居所,直至嘉庆年间。
目前在三所内还完好地保留着慈禧太后的御笔“敬事房”匾额,正殿明间脊檩上还能看到清代晚期的彩画。
", "content": "乾东五所西临御花园,由并列的五所建筑组成,因其位在东六宫之北,所以也称“北五所”。 每所均有南北三进院落,始建于明初,与内廷西路乾西五所对称。", "largeImage": "", "position": "80.297927149974,-46.1865234375", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236577", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 204, "name": "麟趾门", "detail": "麟趾门位于东六宫区域,始建于明代,初称寿春门。
麒麟是传说中的神兽和仁兽,雄为麒,雌为麟。紫禁城的很多建筑和文物都涉及到麒麟。古籍称麟性仁厚,其趾也仁厚,不践生草,不履草虫。《诗经.国风·周南》以《麟之趾》作为末篇:“麟之趾,振振公子,于嗟麟兮”,与开篇的《关雎》相呼应。
麟趾门借经典祝福王室子孙以善德行世,贤能仁厚。后世更广泛地将其作为人们结婚和生子时的贺语,如:麟趾呈样、天赐麟儿等。
", "content": "麟趾门位于东六宫区域,始建于明代,初称寿春门。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/13162[1024].jpg", "position": "79.56452687900743,-62.40234375000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236552", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=48&scene_id=3778&scene_name=scene_3778_spring", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 203, "name": "Palace of Great Brilliance (Jingyang gong)", "detail": " 景阳宫,为内廷东六宫之一,位于钟粹宫之东、永和宫之北。明永乐十八年(1420年)建成,初名长阳宫,嘉靖十四年(1535年)更名景阳宫。清沿明旧,于康熙二十五年(1686年)重修。明代为嫔妃所居。清代改作收贮图书之地。
宫为二进院,正门南向,名景阳门,前院正殿即景阳宫,面阔3 间,黄琉璃瓦庑殿顶,与东六宫中其它五宫的屋顶形式不同。檐角安放走兽5个,檐下施以斗栱,绘龙和玺彩画。明间开门,次间为玻璃窗。明间室内悬乾隆御题“柔嘉肃敬”匾。天花为双鹤图案,内檐饰以旋子彩画,室内方砖墁地,殿前为月台。东西有配殿各3间,明间开门,黄琉璃瓦硬山式顶,檐下饰旋子彩画。
后院正殿为御书房,面阔5间,明间开门,黄琉璃瓦歇山式顶。次、梢间为槛墙、槛窗,檐下施以斗栱,饰龙和玺彩画。清乾隆年因藏宋高宗所书《毛诗》及马和之所绘《诗经图》卷于此,乾隆御题额曰“学诗堂”。东西六宫年节张挂的《宫训图》原收藏于此。东西各有配殿3间,明间开门,黄琉璃瓦硬山式顶,檐下饰以旋子彩画,西南角有井亭1座。此宫保持明初始建时格局。
Built in 1420, this Palace was the residence of imperial concubines in the Ming (1368-1644) and Qing (1644-1911) dynasties. In 1654, the Kangxi Emperor (r. 1662-1722) was born in this hall.
", "content": "Built in 1420, this Palace was the residence of imperial concubines in the Ming (1368-1644) and Qing (1644-1911) dynasties. In 1654, the Kangxi Emperor (r. 1662-1722) was born in this hall.", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/2020/04/20/s5e9d167f9a32e.jpg", "position": "79.88201996361602,-62.53417968750001", "hidden": false, "link_detail": "https://www.dpm.org.cn/explore/building/236509", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=59&scene_id=3212&scene_name=scene_3212_summer", "link_exhibition": "", "link_media": "/en/info/1328?i=7", "link_game": "", "link_album":"/en/article/1101", "event": false, "lvl": 2 }, { "id": 201, "name": "景福宫", "detail": "景福宫是宁寿宫东路的主体建筑,最初是清康熙二十八年(1689年)为孝惠皇太后建造的,乾隆三十七年(1772年)仿照建福宫后的静怡轩重建,留作乾隆皇帝归政后宴憩之用。
景福宫坐落于汉白玉须弥座台基上,整个宫殿占地面积较大,平面呈正方形。屋顶为绿琉璃瓦三卷勾连搭歇山卷棚顶,曲线优美,灵巧舒展。檐柱柱础雕刻着精美的覆莲花纹,为宫中少见。景福宫前东、西两面皆为游廊,与前廊相通,围合成半开敞的小庭院,具有静谧清幽的氛围,体现着闲适的隐居情趣。
乾隆帝晚年喜得五代同堂,对景福宫加以修葺并御题匾额,所以景福宫又被称为“五福五代堂”。
在景福门外的小庭院中安放着一块高达4.5米的巨石——文峰。站在这里四方相望,都有通往他处的门迎面而立,所以在石峰东西镌刻的乾隆皇帝御制《文峰诗》中,点明此石具有“景福宫前镇枢纽”的重要点景作用。
", "content": "景福宫是宁寿宫东路的主体建筑,最初是清康熙二十八年(1689年)为孝惠皇太后建造的,乾隆三十七年(1772年)仿照建福宫后的静怡轩重建,留作乾隆皇帝归政后宴憩之用。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/7411.jpg", "position": "78.2513874950671,-30.278320312500004", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236571", "link_360": "", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 1 }, { "id": 200, "name": "Hall for Ancestral Worship (Fengxian dian)", "detail": "The Hall for Ancestral Worship is converted into the Clock Gallery. Selected European and American mechanical clocks collected by the Qing dynasty imperial family, and those manufactured in Guangzhou, Suzhou and the Imperial Workshop are exhibited here.
Constructed in early fifteenth century and renovated for several times in the succeeding Qing dynasty, the hall is located to the east of the Three Palaces of the Inner Court. It has two sections situated in an H-shape, a front hall and a rear hall, joined by a covered connecting corridor. The imperial ancestors' spirit tablets were placed here.
Each year on the first day of the lunar year, on the emperor's birthday, and on the winter solstice, the emperor would pay tribute to his ancestors in this hall. If the emperor could not attend personally, then he would send representatives.
承乾宫,内廷东六宫之一。明永乐十八年(1420年)建成,初曰永宁宫,崇祯五年(1632年)八月更名承乾宫。清沿明旧。顺治十二年(1655年)重修,道光十二年(1832年)略有修葺。
宫为两进院,正门南向,名承乾门。前院正殿即承乾宫,面阔5间,黄琉璃瓦歇山式顶,檐角安放走兽5个,檐下施以单翘单昂五踩斗栱,内外檐饰龙凤和玺彩画。明间开门,次、梢间槛墙、槛窗,双交四椀菱花槅扇门、窗。室内方砖墁地,天花彩绘双凤,正间内悬乾隆皇帝御题“德成柔顺”匾。殿前为宽敞的月台。东西有配殿各3间,明间开门,黄琉璃瓦硬山式顶,檐下饰旋子彩画,崇祯七年(1634年)安匾于东西配殿曰贞顺斋、明德堂。
后院正殿5间,明间开门,黄琉璃瓦硬山式顶,檐下施以斗栱,饰龙凤和玺彩画。两侧建有耳房。东西有配殿各3间,均为明间开门,黄琉璃瓦硬山式顶,饰以旋子彩画。后院西南角有井亭一座。此宫保持明初始建时的格局。
此宫在明代为贵妃所居。清代为后妃所居,清顺治帝皇贵妃董鄂氏,道光帝孝全成皇后、琳贵妃、佳贵人,咸丰帝云嫔、婉贵人都曾在此居住。
苍震门为内廷东六宫东大墙的琉璃随墙门,东向。明初叫宫东门,明嘉靖十四年(1535年)更名苍震门。
苍震门是一个开间琉璃门,西与昭华门相对,东出为东筒子长街,与蹈和门斜对,是内廷东六宫出入的重要门户。
苍震门所在的长长的南北向东筒子长街,两侧是高立的红墙,许多宫廷影视剧都会用这个场景表现深宫生活的无望孤独。
清孝庄太皇太后死后,康熙皇帝一心侍奉孝惠太后(顺治帝的第二任皇后)。康熙五十六年(1717年)冬,孝惠太后病危,康熙皇帝忍病前往探望,并在苍震门内设帷幄住下。太后去世后,康熙帝身着孝服,于寒冬腊月在此守丧。
", "content": "苍震门为内廷东六宫东大墙的琉璃随墙门,东向。明初叫宫东门,明嘉靖十四年(1535年)更名苍震门。", "largeImage": "https://www.dpm.org.cn/Uploads/Picture/dc/20551[1024].jpg", "position": "78.42901122247589,-56.60156250000001", "hidden": true, "link_detail": "https://www.dpm.org.cn/explore/building/236555", "link_360": "https://pano.dpm.org.cn/#/panorama?panorama_id=57&scene_id=3804&scene_name=scene_3804_summer", "link_exhibition": "", "link_media": "", "link_game": "", "link_album":"", "event": false, "lvl": 0 }, { "id": 197, "name": "Hall of Preserving Harmony (Baohe dian)", "detail": "The third of the Three Ritual Halls, the Hall of Preserving Harmony (Baohe dian) was completed in the early fifteenth century. It was first called Hall of Scrupulous Behavior (Jinshen dian), was changed to Establishing Supremacy (Jianji dian), and was finally named Hall of Preserving Harmony - with the implication of preserving the unity of one's inner spirit, and sharing harmony under heaven.
In Ming dynasty (1368-1644) times, before attending a grand ritual or ceremony, the emperor left from his residence in the Palace of Heavenly Purity (Qianqing gong) in the Inner Court and was brought to the Hall of Preserving Harmony to change into ceremonial robes.
In Qing times, the hall served as the wedding venue for the Shunzhi Emperor (r. 1644-1661), and as a temporary residence for him and his successor, the Kangxi Emperor (r. 1662-1722), when the three main halls in the Inner Court were under restoration. Every New Year's Eve and on the fifteenth day of the first lunar month (that is, the full moon), emperors held banquets in the Hall of Preserving Harmony to entertain heads of states, imperial kinsmen, and ministers higher than the second rank. From 1789, every three years the Palace Examination was held here.
Located between the Hall of Supreme Harmony (Taihe dian) and the Hall of Preserving Harmony (Baohe dian), the Hall of Central Harmony (Zhonghe dian) resembles the corridor that connected the front and rear halls of a grand palace building in ancient times. Built in early fifteenth century as part of the original design of the Forbidden City, it was named the Hall of Splendid Canopy (Huagai dian). After several conflagrations and reconstructions, it was renamed Hall of Central Supremacy by the Jiajing Emperor (r. 1522-1566). The current name was designated by the Shunzhi Emperor (r. 1644-1661) of the Qing dynasty (1644-1911), conveying the philosophy of using the Golden Mean to achieve universal peace and harmony.
The Hall of Central Harmony followed the architectural form of the ancient "bright hall” (ming tang). It is a square building with windows on four sides. Before presiding over grand ceremonies in the Hall of Supreme Harmony, the emperor received obeisance from his officials here. Before offering sacrifices to the ancestors, to heaven and to earth, he examined sacrificial writings and farm implements in this hall.
The Hall of Supreme Harmony (Taihe dian) is the most dignified building in the Forbidden City, and is commonly referred to as the Hall of Golden Chimes (Jinluan dian). Built in the early fifteenth century (the Yongle reign), it was burned to the ground within months of its dedication. The Jiajing Emperor (r. 1522-1566) renamed it the Hall of Imperial Supremacy (Huangji dian), and upon making Beijing their capital, the Qing rulers quickly changed to the present name. Its name reflects the significant sociopolitical ideal of universal harmony under heaven. The current building was reconstructed during the Kangxi era (1662-1722).
The Hall of Supreme Harmony sits in the center of the Forbidden City, on the Imperial Way (yu lu) – the remarkable section of the invisible central axis of the city. As the Imperial Way ascends the white marble three-tiered terrace it is carved with dragon patterns that extend all the way through the throne hall. During grand rituals or ceremonies, the emperor ascended the throne to imperial music, inspecting the empire as far as he could, receiving greetings and congratulations from his subjects.
The Hall of Supreme Harmony is the largest hall in the Forbidden City, and architecturally the highest-ranking building of the surviving traditional architecture in China. Golden dragon designs dominate the hall's exterior and interior décor. The ten figurines at each of its roof corners distinguish it as superior to other ancient buildings.